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SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood. She studies linguistics and literature, and spends a lot of time thinking about what language - and languages - can and cannot do. Along the way she befriends Svetlana, a cosmopolitan Serb, and obsesses over Ivan, a mathematician from Hungary. Selin ponders profound questions about how culture and language shape who we are, how difficult it is to be a failed writer, and…mehr

Produktbeschreibung
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard and finds herself dangerously overwhelmed by the challenges and possibilities of adulthood. She studies linguistics and literature, and spends a lot of time thinking about what language - and languages - can and cannot do. Along the way she befriends Svetlana, a cosmopolitan Serb, and obsesses over Ivan, a mathematician from Hungary. Selin ponders profound questions about how culture and language shape who we are, how difficult it is to be a failed writer, and how baffling love is. At once clever and clueless, Batuman's heroine shows us with perfect hilarity and soulful inquisitiveness just how messy it can be to forge a self.
  • Produktdetails
  • Verlag: Random House UK Ltd
  • Seitenzahl: 423
  • Erscheinungstermin: April 2018
  • Englisch
  • Abmessung: 195mm x 126mm x 30mm
  • Gewicht: 303g
  • ISBN-13: 9780099583172
  • ISBN-10: 0099583178
  • Artikelnr.: 49462979
Autorenporträt
Elif Batuman has been a staff writer at the New Yorker since 2010. She is the author of The Possessed: Adventures with Russian Books and the People Who Read Them. The recipient of a Whiting Writers' Award, a Rona Jaffe Foundation Writers' Award, and a Paris Review Terry Southern Prize for Humor, she also holds a PhD in comparative literature from Stanford University.
Rezensionen
"I loved it and could have read a thousand more pages of it. It presented this almost moment-by-moment experience of life, in a way that I just felt Batuman had so much control. There’s so much wit and pleasure in her writing you feel very comfortable being in the world she’s created."