Recounting Deviance
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How do historical sources narrate or recount deviance? Is there a relationship between the manner in which divergent behaviour is recounted and the type of source in which this behaviour is presented? The articles present examples of the recounting of deviance by using, amongst others, sources such as chronicles, travel accounts and court records from 15th century England, 15th/16th century Germany, 17th century Spain, 17th/18th century Venice and 17th/18th century Italy and France. It can be asserted that different types of narrative patterns to recount deviance occur intermingled in the cases discussed.…mehr

Produktbeschreibung
How do historical sources narrate or recount deviance? Is there a relationship between the manner in which divergent behaviour is recounted and the type of source in which this behaviour is presented? The articles present examples of the recounting of deviance by using, amongst others, sources such as chronicles, travel accounts and court records from 15th century England, 15th/16th century Germany, 17th century Spain, 17th/18th century Venice and 17th/18th century Italy and France. It can be asserted that different types of narrative patterns to recount deviance occur intermingled in the cases discussed.
  • Produktdetails
  • Mainzer Historische Kulturwissenschaften .34
  • Verlag: Transcript
  • Seitenzahl: 208
  • Erscheinungstermin: Juni 2016
  • Englisch
  • Abmessung: 226mm x 146mm x 17mm
  • Gewicht: 336g
  • ISBN-13: 9783837635881
  • ISBN-10: 3837635880
  • Artikelnr.: 45002765
Autorenporträt
Jörg Rogge is Professor of History, Middle Ages, at the University of Mainz, Germany. He is also spokesperson of the Research Unit Historical Cultural Sciences, Mainz. His research interests are methods and theory of cultural historical sciences, and social and cultural history of late medieval Europe.
Rezensionen
»Die hier versammelten Beiträge bieten sehr unterschiedliche Fälle von vermeintlichem oder real abweichendem Verhalten auf der Grundlage chronikaler Belege, die von den einzelnen Autoren kritisch diskutiert werden.« Albrecht Classen, www.sehepunkte.de, 17/9 /(2017) Besprochen in: Erdélyi Múzeum, 1 (2017), Andrea Feher Comitatus, 48 (2017), Maia Farrar Speculum, 94/2 (2019), Thomas V. Cohen