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As a Russian émigré herself, Dubinets soberly scrutinizes how, given the multitude of influences inevitably affecting these composers' creative expressions, critics and listeners are wrong to identify them as simply "Russian."

Produktbeschreibung
As a Russian émigré herself, Dubinets soberly scrutinizes how, given the multitude of influences inevitably affecting these composers' creative expressions, critics and listeners are wrong to identify them as simply "Russian."
  • Produktdetails
  • Russian Music Studies
  • Verlag: INDIANA UNIV PR
  • Seitenzahl: 388
  • Erscheinungstermin: 5. Oktober 2021
  • Englisch
  • Abmessung: 229mm x 152mm x 25mm
  • Gewicht: 735g
  • ISBN-13: 9780253057778
  • ISBN-10: 0253057779
  • Artikelnr.: 60205256
Autorenporträt
Elena Dubinets is Affiliate Assistant Professor of Music History at the University of Washington and Chief Artistic Officer for the Atlanta Symphony Orchestra. She is author of four books in Russian-Mozart Does Not Choose a Motherland: On the Music of the Contemporary Russian Emigration, Prince Andrey Volkonsky: The Score of Life, Made in the USA: Every Sound around Us Is Music, and Signs of Sounds: Contemporary Notation and Compositional Techniques.
Inhaltsangabe
Preface
Acknowledgments
Note on Transliteration
Introduction
Part I: National versus Global
1. The "Universal": Globalizing the Local
2. The National: Super-Icons
3. National Identification versus Cultural Affiliation: Non-Russian Composers
4. Cultural Affiliation versus Citizenship: Russian Diaspora
Part II: How to: Perspectives of Music Creation
5. The "Social" Perspective
6. The "Production" Perspective
Part III: How they left
7. A Brief History of Russian Diaspora Through Music
8. "Kolbasa Emigration": a New Cultural Mythology?
Part IV: How they stayed
9. The Trauma of Migration
10. The Many Professions
11. Supporters and Connectors
Part V: How they returned
12. Homecoming and Reception at Home
13. Russia under Putin: to stay or to go?
Conclusion
Bibliography
Index