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This book addresses the claim that Tolkien read very little modern fiction, and took no serious notice of it. This claim, made by one of his first biographers, has led to the widely accepted view that Tolkien was dismissive of modern culture, and that The Hobbit and The Lord of the Rings are fundamentally medieval and nostalgic in their inspiration. In fact, as Holly Ordway demonstrates in this major corrective, Tolkien enjoyed a broad range of contemporary works, engaged with them in detail and depth, and even named specific titles as sources for and influences upon his creation of…mehr

Produktbeschreibung
This book addresses the claim that Tolkien read very little modern fiction, and took no serious notice of it. This claim, made by one of his first biographers, has led to the widely accepted view that Tolkien was dismissive of modern culture, and that The Hobbit and The Lord of the Rings are fundamentally medieval and nostalgic in their inspiration. In fact, as Holly Ordway demonstrates in this major corrective, Tolkien enjoyed a broad range of contemporary works, engaged with them in detail and depth, and even named specific titles as sources for and influences upon his creation of Middle-earth. Drawing on archival research, Ordway shows how Tolkien appreciated authors as diverse as James Joyce and Beatrix Potter, Rider Haggard and Edith Nesbit, William Morris and Kenneth Grahame.
Autorenporträt
Holly Ordway is the Cardinal Francis George Professor of Faith and Culture at the Word on Fire Institute and Visiting Professor of Apologetics at Houston Christian University. She holds a PhD in English from the University of Massachusetts Amherst and is a Subject Editor for the Journal of Inklings Studies. Her book Tolkien's Modern Reading: Middle-earth Beyond the Middle Ages received the 2022 Mythopoeic Scholarship Award in Inklings Studies.