A pioneering exploration of the performance of hymns in Byzantium over a period of almost four centuries, investigating how hymnody wove together feeling and mystery in the hearts of the faithful, inviting them to dwell in a liturgical world of compunction, paradisal nostalgia and sacred song.
A pioneering exploration of the performance of hymns in Byzantium over a period of almost four centuries, investigating how hymnody wove together feeling and mystery in the hearts of the faithful, inviting them to dwell in a liturgical world of compunction, paradisal nostalgia and sacred song.
Andrew Mellas is a Lecturer in Byzantine Studies at St Andrew's Theological College and an Honorary Associate of the Medieval and Early Modern Centre at the University of Sydney.
Inhaltsangabe
Acknowledgments Abbreviations 1. Introduction 2. The liturgical world of compunction 3. Romanos the melodist 4. Andrew of crete 5. Kassia Conclusion Glossary Bibliography Index.
Acknowledgments Abbreviations 1. Introduction 2. The liturgical world of compunction 3. Romanos the melodist 4. Andrew of crete 5. Kassia Conclusion Glossary Bibliography Index.
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