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  • Broschiertes Buch

This book offers an epistemological critique of the concept of the individual and of individuality. It argues that because of our bio(techno)logical entanglements with non-human others, billions of microorganisms and our multiple (in)voluntary participations in socio(techno)logical processes, we have to conceive of ourselves no longer as individuals, but as dividuations. This dividual character which enforces simultaneous and multidirectional participations in different spheres is also apt for other living beings, for entities such as the nation state, for single cultures, production processes…mehr

Produktbeschreibung
This book offers an epistemological critique of the concept of the individual and of individuality. It argues that because of our bio(techno)logical entanglements with non-human others, billions of microorganisms and our multiple (in)voluntary participations in socio(techno)logical processes, we have to conceive of ourselves no longer as individuals, but as dividuations. This dividual character which enforces simultaneous and multidirectional participations in different spheres is also apt for other living beings, for entities such as the nation state, for single cultures, production processes and works of art. The critique of individuality in the book is also elaborated in critical re-readings of classical philosophical texts from Plato up to today; the new concept of dividuation is a modified and semantically enriched version of certain concepts of the French philosophers Gilbert Simondon and Gilles Deleuze.

Autorenporträt
Michaela Ott is Professor of Aesthetic Theories at the Hochschule für Bildende Künste (Academy of Fine Art) Hamburg, Germany. Her main publications include Deleuze: Zur Einführung (2005),  Affizierung (2010),  Timing of Affect: Epistemologies of Affection (2014), edited with Marie-Luise Angerer and Bernd Bösel and Dividuationen: Theorien der Teilhabe (2015).  
Rezensionen
Translated from German:
"Ott introduces the term dividuation into the debate on new subjectivations. This diverse overview of various different social areas in bio(techno)logical, socio(tech)nological, and aesthetic/artistic analyses undoubtedly emphasises the relevance of the arguments presented by Michaela Ott. Herein lies the innovative character of her work." (Julia Preisker, e-Journal für wissenschaftliche Rezensionen Institut für Theater-, Film- und Medienwissenschaft an der Universität Wien, rezenstfm.univie.ac.at, (1), May 2017)