This book on Syrian television drama manifests how gender roles are negotiated in the context of dominant Islamic and secular nationalist discourses, which at times overlap and challenge simple binaries of traditional versus secular approaches in new configurations of national identity.
This book on Syrian television drama manifests how gender roles are negotiated in the context of dominant Islamic and secular nationalist discourses, which at times overlap and challenge simple binaries of traditional versus secular approaches in new configurations of national identity.
Rebecca Joubin is assistant professor and chair of Arab studies at Davidson College. Her articles in Arabic and English have been published in the International Journal of Middle Eastern Studies, Arab Studies Journal, Radical Society, The Cairo Times, al-Kifa al-Arabi, and al-Mada.
Inhaltsangabe
Introduction: The Televisuality of Syrian Popular Culture Chapter 1: The Politics Behind Syrian Television Drama Chapter 2: Political Parodies and Embattled Masculinity: Prison and Marriage Metaphors in Early Syrian Television Drama and Theater, 1960s-80s. Chapter 3: Marriage Metaphors in Contemporary Tales of the late 1980s and 1990s: Fighting the Dictator Within Chapter 4: The Development of the Politics of Qabadayat and the State in Early Historical Fiction Genre (1990s) Chapter 5: Fantasy of the Masculine Hero: Qabadayat Fighting Colonial Power in the Bi'a Shamiyyeh (Old Damascus) Genre (2000 Onward) Chapter 6: Subordinate and Subversive Masculinities as Political Protest in Bi'a Shamiyyeh Historical Tales Chapter 7: Embattled Masculinity in Contemporary Tales: The Crisis of Qabadayat Chapter 8: On the Trials of Love and Sexuality before Marriage in Contemporary Tales Chapter 9: Cultural Deconstructions of Femininity and Self-Identity in Marriage in Contemporary Tales Afterward: Drama Preparation Amidst an Uprising: Debates, Challenges, and New Directions
Introduction: The Televisuality of Syrian Popular Culture Chapter 1: The Politics Behind Syrian Television Drama Chapter 2: Political Parodies and Embattled Masculinity: Prison and Marriage Metaphors in Early Syrian Television Drama and Theater, 1960s-80s. Chapter 3: Marriage Metaphors in Contemporary Tales of the late 1980s and 1990s: Fighting the Dictator Within Chapter 4: The Development of the Politics of Qabadayat and the State in Early Historical Fiction Genre (1990s) Chapter 5: Fantasy of the Masculine Hero: Qabadayat Fighting Colonial Power in the Bi'a Shamiyyeh (Old Damascus) Genre (2000 Onward) Chapter 6: Subordinate and Subversive Masculinities as Political Protest in Bi'a Shamiyyeh Historical Tales Chapter 7: Embattled Masculinity in Contemporary Tales: The Crisis of Qabadayat Chapter 8: On the Trials of Love and Sexuality before Marriage in Contemporary Tales Chapter 9: Cultural Deconstructions of Femininity and Self-Identity in Marriage in Contemporary Tales Afterward: Drama Preparation Amidst an Uprising: Debates, Challenges, and New Directions
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