Introduction: opera studies today Nicholas Till Part I. Institutions: 1. Opera, the state and society Thomas Ertman 2. The business of opera Nicholas Payne 3. The operatic event: opera houses and opera audiences Nicholas Till Part II. Constituents: 4. 'Too much music': the media of opera Christopher Morris 5. Voices and singers Susan Rutherford 6. Opera and modes of theatrical production Simon Williams 7. Opera and the technologies of theatrical production Nicholas Ridout Part III. Forms: 8. The dramaturgy of opera Laurel E. Zeiss 9. Genre and poetics Alessandra Campana 10. The operatic work: texts, performances, receptions and repertories Nicholas Till Part IV. Issues: 11. Opera and gender studies Heather Hadlock 12. Opera and national identity Suzanne Aspden 13. 'An exotic and irrational entertainment': opera and our others, opera as other Nicholas Till.
Introduction: opera studies today Nicholas Till Part I. Institutions: 1. Opera, the state and society Thomas Ertman 2. The business of opera Nicholas Payne 3. The operatic event: opera houses and opera audiences Nicholas Till Part II. Constituents: 4. 'Too much music': the media of opera Christopher Morris 5. Voices and singers Susan Rutherford 6. Opera and modes of theatrical production Simon Williams 7. Opera and the technologies of theatrical production Nicholas Ridout Part III. Forms: 8. The dramaturgy of opera Laurel E. Zeiss 9. Genre and poetics Alessandra Campana 10. The operatic work: texts, performances, receptions and repertories Nicholas Till Part IV. Issues: 11. Opera and gender studies Heather Hadlock 12. Opera and national identity Suzanne Aspden 13. 'An exotic and irrational entertainment': opera and our others, opera as other Nicholas Till.
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