Appearing here in English for the first time, Michel Chion's Sound addresses the philosophical questions that inform our encounters with sound, stimulating our thinking about being open to new sounds and to explore the links between language, technology, culture, and hearing.
Appearing here in English for the first time, Michel Chion's Sound addresses the philosophical questions that inform our encounters with sound, stimulating our thinking about being open to new sounds and to explore the links between language, technology, culture, and hearing.
Michel Chion is a composer, filmmaker, teacher, researcher, and the author of several books, including Film, A Sound Art; The Voice in Cinema; and Audio-Vision: Sound on Screen. James A. Steintrager is Professor of English, Comparative Literature, and European Languages and Studies at the University of California, Irvine; he is the author, most recently, of The Autonomy of Pleasure: Libertines, License, and Sexual Revolution.
Inhaltsangabe
Introduction. Closed Grooves, Open Ears / James A. Steintrager vii Preface to the French Edition of 2010 xxvii I. Hearing 1. Listening Awakes 3 2. The Ear 16 3. Sound and Time 29 II. A Divided World 4. Voice, Language, and Sounds 45 5. Noise and Music: A Legitimate Distinction? 55 III. The Wheel of Causes 6. The Sound That You Cause: Ergo-Audition 83 7. Sounds and Its Cause: Casual Listening and Figurative Listening 101 8. Sound and What It Causes: Real and Supposed Effects 121 IV. Sound Transformed 9. How Technology Has Changed Sound 131 10. The Audiovisual Couple in Film: Audio-Vision 150 V. Listening, Expressing 11. Object and Non-Object: Two Poles 169 12. Between Doing and Listening: Naming 212 Notes 243 Glossary 265 Bibliography 269 Index 275
Introduction. Closed Grooves, Open Ears / James A. Steintrager vii Preface to the French Edition of 2010 xxvii I. Hearing 1. Listening Awakes 3 2. The Ear 16 3. Sound and Time 29 II. A Divided World 4. Voice, Language, and Sounds 45 5. Noise and Music: A Legitimate Distinction? 55 III. The Wheel of Causes 6. The Sound That You Cause: Ergo-Audition 83 7. Sounds and Its Cause: Casual Listening and Figurative Listening 101 8. Sound and What It Causes: Real and Supposed Effects 121 IV. Sound Transformed 9. How Technology Has Changed Sound 131 10. The Audiovisual Couple in Film: Audio-Vision 150 V. Listening, Expressing 11. Object and Non-Object: Two Poles 169 12. Between Doing and Listening: Naming 212 Notes 243 Glossary 265 Bibliography 269 Index 275
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