The composer Erik Satie (1866-1925) came of age in the bohemian sub-culture of Montmartre, with its artists' cabarets and cafes-concerts. These colorful milieux decisively shaped his aesthetic priorities and compositional strategies, from the esoteric Gymnopedies of the 1880s to the avant-garde ballets of the 1920s. Whiting makes this radical transvaluation of received artistic values more understandable by placing it in the full context of bohemian Montmartre.
The composer Erik Satie (1866-1925) came of age in the bohemian sub-culture of Montmartre, with its artists' cabarets and cafes-concerts. These colorful milieux decisively shaped his aesthetic priorities and compositional strategies, from the esoteric Gymnopedies of the 1880s to the avant-garde ballets of the 1920s. Whiting makes this radical transvaluation of received artistic values more understandable by placing it in the full context of bohemian Montmartre.
Introduction Part I: Café-Concert, Music-Hall, Cabaret 1: The Café-Concert 2: From Caf'Conç' to Music-Hall 3: The Cabaret Artistique Part II: Satie's Involvement in Popular Milieux 4: Satie at the Chat Noir 5: Satie and the Divan Japonais 6: Satie at the Auberge du Clou 7: From the Auberge du Clou to Arcueil 8: Satie and Hyspa 9: Of Pantomimes and Pears 10: Waltz, Cakewalk, Theatre Song Part III: From Cabaret to Concert Hall 11: Satie's Humouristic Works for Piano 12: From Chanson to Mélodie and Back 13: The Composer as Playwright 14: Autour de Cocteau, or The Uses of Popular Music 15: On revient toujours: Satie's Last Ballets List of Sources Cited Index
Introduction Part I: Café-Concert, Music-Hall, Cabaret 1: The Café-Concert 2: From Caf'Conç' to Music-Hall 3: The Cabaret Artistique Part II: Satie's Involvement in Popular Milieux 4: Satie at the Chat Noir 5: Satie and the Divan Japonais 6: Satie at the Auberge du Clou 7: From the Auberge du Clou to Arcueil 8: Satie and Hyspa 9: Of Pantomimes and Pears 10: Waltz, Cakewalk, Theatre Song Part III: From Cabaret to Concert Hall 11: Satie's Humouristic Works for Piano 12: From Chanson to Mélodie and Back 13: The Composer as Playwright 14: Autour de Cocteau, or The Uses of Popular Music 15: On revient toujours: Satie's Last Ballets List of Sources Cited Index
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