Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation.
Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation.
Tamara Roberts Assistant Professor of Music at University of California, Berkeley, where she teaches courses on popular music and politics. Other publications include Yellow Power, Yellow Soul: The Radical Art of Fred Ho (co-edited with Roger Buckley) and articles and essays in multiple journals and anthologies.
Inhaltsangabe
* Introduction: Echoes of the Future * Chapter 1: This Strange Amalgamation: Afro Asian Roots * Chapter 2: Becoming Afro Asian: Yoko Noge's Jazz Me Blues and Japanesque * Chapter 3: Articulating Interracial Space: Funkadesi's "One Family^" * Chapter 4: Sonic Identity Politics: Fred Ho's Afro Asian Music Ensemble * Chapter 5: Toward An Afro Asian Theory of Critique: The "Addictive" Case * Conclusion" Reverberations * Notes * References * Index
* Introduction: Echoes of the Future * Chapter 1: This Strange Amalgamation: Afro Asian Roots * Chapter 2: Becoming Afro Asian: Yoko Noge's Jazz Me Blues and Japanesque * Chapter 3: Articulating Interracial Space: Funkadesi's "One Family^" * Chapter 4: Sonic Identity Politics: Fred Ho's Afro Asian Music Ensemble * Chapter 5: Toward An Afro Asian Theory of Critique: The "Addictive" Case * Conclusion" Reverberations * Notes * References * Index
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