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Explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.…mehr

Produktbeschreibung
Explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.
Autorenporträt
Annegret Fauser is Associate Professor of Music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.