Is Language a Music?: Writings on Musical Form and Signification - Lidov, David
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Is Language a Music? presents broadly ranging explorations of musicalreference that address how and why language cannot be the only measure of meanings.Music, the author insists, is pervaded by significations, but often their erasure isas pertinent to artistry as their construction. This volume's 15 essays in musicalsemiotics are grouped into sections that treat issues in structural description, present alternative views of theoretical foundations, consider the elaboration ofgestural references to form musical discourse, explore some stylistic issues in20th-century music, and examine the…mehr

Produktbeschreibung
Is Language a Music? presents broadly ranging explorations of musicalreference that address how and why language cannot be the only measure of meanings.Music, the author insists, is pervaded by significations, but often their erasure isas pertinent to artistry as their construction. This volume's 15 essays in musicalsemiotics are grouped into sections that treat issues in structural description, present alternative views of theoretical foundations, consider the elaboration ofgestural references to form musical discourse, explore some stylistic issues in20th-century music, and examine the resistance to reference which is esteemed in thetradition of absolute music. Musical Meaning and Interpretation --Robert S. Hatten, editor
  • Produktdetails
  • Musical Meaning and Interpreta
  • Verlag: INDIANA UNIV PR
  • Seitenzahl: 256
  • Altersempfehlung: ab 22 Jahre
  • Erscheinungstermin: Dezember 2004
  • Englisch
  • Abmessung: 241mm x 167mm x 27mm
  • Gewicht: 541g
  • ISBN-13: 9780253343833
  • ISBN-10: 0253343836
  • Artikelnr.: 14092318
Autorenporträt
David Lidov is a composer whose theoretical investigations were an early and influential source of the musical semiotics movement of recent decades. He teaches at York University in Toronto.
Inhaltsangabe
Foreword
1. Prelude-Is Language a Music?
Part I. Structuralist Pespectives-Introduction
2. Structure and Function in Repetition.
3. The Allegretto of Beethoven's Seventh.
4. Mediation as a Formal Principle in Music: Three Examples.
Part II. Semiotic Polemics-Introduction
5. Nattiez's Fondements.
6. Our Time with Druids.
7. Why We Still Need Peirce.
Part III. From Gestures to Discourses-Introduction
8. Mind and Body in Music.
9. Opera Operta: Realism and Rehabilitation in La Traviata
10. A Monument in Song: Bury my Heart at Wounded Knee by Beverley (Buffy) St. Marie.
Part IV. The Messages of Methods-Introduction
11. Bartok the Progessive.
12. The Art of Music Theory and the Aesthetic Category of the Possible
13. Technique and Signification in the Twelve-Tone Method
14. The Project of Abstraction in Painting and Music.
Part V. Resisting Representation-Introduction
15. Replaying my Voice Mail
Notes
References
Index