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In this book is a trilogy of plays for theatre, describing the life of Alexander the Great. They are adapted from two forteenth century manuscripts which form part of one of the earliest dramatic achievements to be found in the English Language. They were written at a time when there was little theatre in English, and were performed by story-tellers who dramatised all the parts which they read. This is an adaptation of these manuscripts for the theatre, using as much of the original as possible, and modernising the language enough to make it understandable to those who can understand…mehr

Produktbeschreibung
In this book is a trilogy of plays for theatre, describing the life of Alexander the Great. They are adapted from two forteenth century manuscripts which form part of one of the earliest dramatic achievements to be found in the English Language. They were written at a time when there was little theatre in English, and were performed by story-tellers who dramatised all the parts which they read. This is an adaptation of these manuscripts for the theatre, using as much of the original as possible, and modernising the language enough to make it understandable to those who can understand Shakespeare. Written two hundred years before Shakespeare "The Warres of Alexander" had a huge influence on his work. The style of the writing suggests a link to alliterative poems such as "Pearl" and "Sir Gawain and the Green Knight", and they are possibly by the same poet, in which case they cast further light on the work of one of the greatest geniuses of the middle ages.
Autorenporträt
Wynne-Simmons, Robert§Robert Wynne-Simmons was born in 1947 in Sutton, Surrey, England. He began his first novel "A Winter Emerald" shortly after the death of his father in 1964. He has written two other novels, "Finals" and "Children of the Spirits", and a large number of poems, short stories, stage plays and film scripts. He began a career as a film director in 1968, with "The Judgment of Albion". His 1970 screenplay for "Blood on Satan's Claw" is now regarded as a classic of British Horror, and screenplay for "The Outcasts" (Ireland 1982) which he also directed, was a pioneer of magic realism in the Cinema. He is also a composer, whose works include an orchestral song cycle, a symphony, a musical, various chamber pieces, and he has written the libretti for two operas.