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The book argues that images of the Paris urchin addressed transformations at the heart of modernity, including the decline of patriarchal, monarchical social structures and the rise of industrial capitalism and colonialism. It parses a contested national archetype that emerged from repeated, recycled representations of revolutions (1830, 1832, 1848, 1871).

Produktbeschreibung
The book argues that images of the Paris urchin addressed transformations at the heart of modernity, including the decline of patriarchal, monarchical social structures and the rise of industrial capitalism and colonialism. It parses a contested national archetype that emerged from repeated, recycled representations of revolutions (1830, 1832, 1848, 1871).
Autorenporträt
Marilyn R. Brown is author of Degas and the Business of Art: A Cotton Office in New Orleans (CAA Monograph, 1994) and editor of, and contributor to, Picturing Children: Constructions of Childhood Between Rousseau and Freud (Ashgate, 2002; Routledge 2017). She is professor of art history at the University of Colorado.