Drawn principally from primary sources, this book presents important new research which examines the contributions of Tudor women in the formation, distribution and popularization of the visual arts within an historical context. Susan James highlights women's contributions to the art world of sixteenth-century England across all social classes, examining not only their role in the creation and commission of art, but also the surprising and unexpected ways in which they exploited it.
Drawn principally from primary sources, this book presents important new research which examines the contributions of Tudor women in the formation, distribution and popularization of the visual arts within an historical context. Susan James highlights women's contributions to the art world of sixteenth-century England across all social classes, examining not only their role in the creation and commission of art, but also the surprising and unexpected ways in which they exploited it.
Susan E. James is an historian and independent researcher. She received her PhD from Cambridge University and is the author of Kateryn Parr: The Making of a Queen (Ashgate, 1999) and a contributor to the Oxford Dictionary of National Biography (2004).
Inhaltsangabe
Contents: Introduction Patronage and consumption Painting as presentation Painting as propaganda Painting as power Painting as production and the family business The art of Susanna Horenboult The queen's painter: Lievine Teerlinc Bibliography Index.
Contents: Introduction Patronage and consumption Painting as presentation Painting as propaganda Painting as power Painting as production and the family business The art of Susanna Horenboult The queen's painter: Lievine Teerlinc Bibliography Index.
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