Jo-Ann Morgan is Professor of African American Studies and Art History at Western Illinois University, USA. Her previous book, Uncle Tom's Cabin as Visual Culture, received the Peter Seaborg Award for Civil War Scholarship in 2008.
Inhaltsangabe
Introduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and Social Identity in the Visual Art of Black Power 1. Pedigree of the Black Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz 2. Organization of Black American Culture: A Show of Respect 3. African Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland Museum's "New Perspectives in Black Art": Saying "Black Lives Matter" in 1968 Part II: The Black Panther Party in Photography and Print Ephemera 5. Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleaver's Visual Acumen and the Coalition of Black Power with White Resistance 7. Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the Female Revolutionary
Introduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and Social Identity in the Visual Art of Black Power 1. Pedigree of the Black Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz 2. Organization of Black American Culture: A Show of Respect 3. African Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland Museum's "New Perspectives in Black Art": Saying "Black Lives Matter" in 1968 Part II: The Black Panther Party in Photography and Print Ephemera 5. Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleaver's Visual Acumen and the Coalition of Black Power with White Resistance 7. Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the Female Revolutionary
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
