Determining the perfect exposure time for a photographic print in a traditional darkroom can be a time-consuming and tedious process, and the irreverent David Bailey has never had much patience for it. Normally a photographer makes a number of test strips, each showing different exposure times; but Bailey has always just intuitively torn off strips of the unexposed paper to fi nd the desired result: "I would usually have it in the bag after three tears." Over the decades Bailey has kept his "test tears," re-fixing and washing them to preserve the unpredictable and unique qualities of these…mehr
Determining the perfect exposure time for a photographic print in a traditional darkroom can be a time-consuming and tedious process, and the irreverent David Bailey has never had much patience for it. Normally a photographer makes a number of test strips, each showing different exposure times; but Bailey has always just intuitively torn off strips of the unexposed paper to fi nd the desired result: "I would usually have it in the bag after three tears." Over the decades Bailey has kept his "test tears," re-fixing and washing them to preserve the unpredictable and unique qualities of these "accidents." This book contains a selection of Bailey's tears, which transform some of his most famous motifs into fascinating abstract pictures through their torn edges and myriad tones.
David Bailey, born in London in 1938, is one of the most successful photographers of his generation, and his career, in and beyond photography, spans fifty years. Bailey's books with Steidl include Bailey's Democracy (2005), Havana (2006), NY JS DB 62 (2007), Is That So Kid (2008), Eye (2009), Delhi Dilemma (2012), and Bailey's East End (2014).
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