This book traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev.
This book traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev.
Introduction: Science and the Stanislavsky Tradition of Acting Part 1. 1. A System for the World? Newtonianism in Stanislavsky's Science of Acting Part 2. 2. The Theatricality Reflex: The Place of Pavlov and Taylor in Meyerhold's Biomechanics 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg Part 3. 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique 5. The Laboratory as Sanctuary: The Theatre of Anatoly Vasiliev Epilogue: Genetic Modification and the Backbone of Tradition Bibliography. Index
Introduction: Science and the Stanislavsky Tradition of Acting Part 1. 1. A System for the World? Newtonianism in Stanislavsky's Science of Acting Part 2. 2. The Theatricality Reflex: The Place of Pavlov and Taylor in Meyerhold's Biomechanics 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg Part 3. 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique 5. The Laboratory as Sanctuary: The Theatre of Anatoly Vasiliev Epilogue: Genetic Modification and the Backbone of Tradition Bibliography. Index
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