45,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
23 °P sammeln
  • Broschiertes Buch

This book addresses the advent of museum photography through an exploration of the multifaceted relationship between natural history, photography and emerging public museums from the 1850s to the 1880s in Britain and the colonies of Australia, New Zealand, and, to a lesser extent, India.

Produktbeschreibung
This book addresses the advent of museum photography through an exploration of the multifaceted relationship between natural history, photography and emerging public museums from the 1850s to the 1880s in Britain and the colonies of Australia, New Zealand, and, to a lesser extent, India.
Autorenporträt
Kathleen Davidson teaches art history at the University of Sydney. Her recent publications include `Colonial Science and Photographic Portraits¿ in Judy Annear (ed.), The Photograph and Australia (AGNSW Press, 2015); `Connecting the Senses: Natural History and the British Museum in the Stereoscopic Magazine¿, 19: Interdisciplinary Studies in the Long Nineteenth Century (2014); `Speculative Viewing: Victorians¿ Encounters with Coral Reefs¿ in Grace Moore and Michelle Smith (eds.), Victorian Environments (Palgrave Macmillan, forthcoming); and `Photography and the Triumph of Science in European Vision and the South Pacific¿ in Jaynie Anderson and Christopher Marshall (eds.), The Multiple Legacies of Bernard Smith (Power Publications & AGNSW Press, 2016). Previously, she was Curator of International Photography at the National Gallery of Australia.