This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Bill Anthes is Assistant Professor of Art History at Pitzer College.
Inhaltsangabe
Preface xi Acknowledgments xxix 1. Art and Modern Indian Policy 1 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Brynes 30 3. "Our Inter-American Consciousness": Barnett Newman and the Primitive Universal 59 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117 6. "A fine painting . . . but not Indian": Oscar Howe, Dick West, and Native American Modernism 142 Postscript: Making Modern Native American Artists 171 Notes 183 Bibliography 217 Index 227
Preface xi Acknowledgments xxix 1. Art and Modern Indian Policy 1 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Brynes 30 3. "Our Inter-American Consciousness": Barnett Newman and the Primitive Universal 59 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117 6. "A fine painting . . . but not Indian": Oscar Howe, Dick West, and Native American Modernism 142 Postscript: Making Modern Native American Artists 171 Notes 183 Bibliography 217 Index 227
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