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Narrative Theory in Conservation engages with conservation, heritage studies and architecture approaches to historic buildings, offering a synthesis of the best of each, and demonstrating that conservation is capable of developing a complementary, but distinct, theoretical position of its own.
Narrative Theory in Conservation engages with conservation, heritage studies and architecture approaches to historic buildings, offering a synthesis of the best of each, and demonstrating that conservation is capable of developing a complementary, but distinct, theoretical position of its own.
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Nigel Walter is a Specialist Conservation Architect based in Cambridge, UK, a Fellow of the Royal Institute of British Architects, and a member of two ICOMOS International Scientific Committees. He specialises in living heritage, combining practice with research, and holds a PhD in conservation of historic buildings.
Inhaltsangabe
1. Context: people and change in conservation 2. Modernity: conservation discontinuity and the past Case Study: Carlo Scarpa William Morris and the Castelvecchio Verona 3. People: community language and power Case Study: St Alkmund Duffield and the ecclesiastical exemption 4. Tradition: change and continuity 5. Narrative: time history and what happens next 6. Application: the narrative approach to conservation Case Study: The SCARAB Manifesto 7. Conclusion: conservation 'as if people mattered'
1. Context: people and change in conservation
2. Modernity: conservation, discontinuity, and the past
Case Study: Carlo Scarpa, William Morris, and the Castelvecchio, Verona
3. People: community, language, and power
Case Study: St Alkmund, Duffield, and the ecclesiastical exemption
4. Tradition: change and continuity
5. Narrative: time, history, and what happens next
6. Application: the narrative approach to conservation
Case Study: The SCARAB Manifesto
7. Conclusion: conservation 'as if people mattered'
1. Context: people and change in conservation 2. Modernity: conservation discontinuity and the past Case Study: Carlo Scarpa William Morris and the Castelvecchio Verona 3. People: community language and power Case Study: St Alkmund Duffield and the ecclesiastical exemption 4. Tradition: change and continuity 5. Narrative: time history and what happens next 6. Application: the narrative approach to conservation Case Study: The SCARAB Manifesto 7. Conclusion: conservation 'as if people mattered'
1. Context: people and change in conservation
2. Modernity: conservation, discontinuity, and the past
Case Study: Carlo Scarpa, William Morris, and the Castelvecchio, Verona
3. People: community, language, and power
Case Study: St Alkmund, Duffield, and the ecclesiastical exemption
4. Tradition: change and continuity
5. Narrative: time, history, and what happens next
6. Application: the narrative approach to conservation
Case Study: The SCARAB Manifesto
7. Conclusion: conservation 'as if people mattered'
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