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This extraordinary three-dimensional package of LIVE THE ART, is a suitable homage to Jeffrey Deitch s legendary stature and influence as an art dealer and producer of memorable installations and art happenings that robustly transcended the idea of a mere exhibition.
More than four years in the making, and divided into chapters devoted to each year between 1996 and 2010, LIVE THE ART explores in detail the astonishing shows and performances the visionary Deitch mounted in a one-story former garage on Grand Street in Soho that would be the primary home of Deitch Projects for fifteen years.
Deitch illuminates the founding concept by stating, Deitch Projects was not meant to be an art gallery. The concept was simple. We would not operate as a gallery but would become a commercial version of the project room that the Museum of Modern Art and a number of other American Museums had established in the 70s and 80s.
Deitch s original guidelines were simple: his intention was to invite artists who had not yet had a solo exhibition to create a project rather than a conventional show of work, and he would provide funds for the artist to produce their visions in the space.
The first artist was Vanessa Beecroft who produced VB16 Piano Americano-Beige, 1996 which consisted of the immediately notorious roomful of models clad in pantyhose, bras, high heels and matching platinum wigs milling languorously around the space. Images in the book of this performance are accompanied by Beecroft s notes and memories about the project, and this formula is repeated throughout the book with the artist s own commentary alongside images of over 150 projects mounted in the space, and in other locations including Union Square Park, Woodlawn Cemetery, Miami Beach, Rockefeller Center, Brooklyn, and Deitch s satellite space in Long Island City.
Artists whose no-holds-barred projects graced Deitch Projects in its fifteen years include Barbara Kruger, Cecily Brown, Malick Sidibé, Tim Noble and Sue Webster, ASFOUR, Liza Lou, a collaboration between Madonna and photographer Steven Klein, Kehinde Wiley, assume astro vivid focus, Yoko Ono, Jeff Koons, film director Michel Gondry, Dan Colen, Vito Acconci, Stefan Sagmeister, Stephen Sprouse, Jules de Balincourt, Shepard Fairey, and Miranda July, among many others.
A Deitch Projects event launch was the place for an art-savvy New Yorker to be, and the street theater of attendees became part of the events themselves. As Deitch notes in LIVE THE ART, One of my goals in starting Deitch Projects was to create not just a gallery but a community. It is very rewarding to see that we created not just a community, but an art family. There is no question that this goal was achieved, and LIVE THE ART is a detailed look back on every event created by Deitch and shared by this family of artists and art lovers for fifteen incredible years.
More than four years in the making, and divided into chapters devoted to each year between 1996 and 2010, LIVE THE ART explores in detail the astonishing shows and performances the visionary Deitch mounted in a one-story former garage on Grand Street in Soho that would be the primary home of Deitch Projects for fifteen years.
Deitch illuminates the founding concept by stating, Deitch Projects was not meant to be an art gallery. The concept was simple. We would not operate as a gallery but would become a commercial version of the project room that the Museum of Modern Art and a number of other American Museums had established in the 70s and 80s.
Deitch s original guidelines were simple: his intention was to invite artists who had not yet had a solo exhibition to create a project rather than a conventional show of work, and he would provide funds for the artist to produce their visions in the space.
The first artist was Vanessa Beecroft who produced VB16 Piano Americano-Beige, 1996 which consisted of the immediately notorious roomful of models clad in pantyhose, bras, high heels and matching platinum wigs milling languorously around the space. Images in the book of this performance are accompanied by Beecroft s notes and memories about the project, and this formula is repeated throughout the book with the artist s own commentary alongside images of over 150 projects mounted in the space, and in other locations including Union Square Park, Woodlawn Cemetery, Miami Beach, Rockefeller Center, Brooklyn, and Deitch s satellite space in Long Island City.
Artists whose no-holds-barred projects graced Deitch Projects in its fifteen years include Barbara Kruger, Cecily Brown, Malick Sidibé, Tim Noble and Sue Webster, ASFOUR, Liza Lou, a collaboration between Madonna and photographer Steven Klein, Kehinde Wiley, assume astro vivid focus, Yoko Ono, Jeff Koons, film director Michel Gondry, Dan Colen, Vito Acconci, Stefan Sagmeister, Stephen Sprouse, Jules de Balincourt, Shepard Fairey, and Miranda July, among many others.
A Deitch Projects event launch was the place for an art-savvy New Yorker to be, and the street theater of attendees became part of the events themselves. As Deitch notes in LIVE THE ART, One of my goals in starting Deitch Projects was to create not just a gallery but a community. It is very rewarding to see that we created not just a community, but an art family. There is no question that this goal was achieved, and LIVE THE ART is a detailed look back on every event created by Deitch and shared by this family of artists and art lovers for fifteen incredible years.
an in-depth, curiously illustrated history The book is, among other things, a striking object Live the Art is itself an exercise in nostalgia for a bygone New York. The New York Times
This is the art book of the year, a vast catalog of the artists and events sponsored by Jeffrey Deitch in the abandoned garage in SoHo that became Deitch Projects from 1996-2010, when the dealer decamped to run the Museum of Contemporary Art in Los Angeles. The cover is a plastic dinner plate; inside, there are endless color photos of the old gallery space alive with everything from beaded kitchens (artist Liza Lou) to Debbie Harry and Fab 5 Freddy "Recapturing the Rapture." Each chapter is a year of the gallery's art. You only have to flip through the pages to see that money was a small part of what made Deitch Projects so special. The essential thing was to be a model for arts entrepreneurs around the world. The Star Ledger
Live the Art is anything but the average coffee tablebook the book features photos of about two-thirds of all projects exhibited at the space, but is satisfyingly text-heavy Surface
Buy the book it s fitting that a new Stefan Sagmeister- designed coffee-table tome celebrating Deitch Projects 15-year run comes equipped with a plastic plate that suggests readers literally dine off it. Wall Street Journal
Part visual gag, part nostalgia trip, all legacy-builder, Live the Art memorializes the seminal arts-and-entertainment mecca the book perfectly sets the table for Deitch s third act whatever that may be. Departures
"It's a kind of art history memoir; told as a visual essay..." -New York Magazine
Autumn brings a fresh, fascinating crop of art, architecture, and design releases. This is one of our favorites. Architectural Digest
This is the art book of the year, a vast catalog of the artists and events sponsored by Jeffrey Deitch in the abandoned garage in SoHo that became Deitch Projects from 1996-2010, when the dealer decamped to run the Museum of Contemporary Art in Los Angeles. The cover is a plastic dinner plate; inside, there are endless color photos of the old gallery space alive with everything from beaded kitchens (artist Liza Lou) to Debbie Harry and Fab 5 Freddy "Recapturing the Rapture." Each chapter is a year of the gallery's art. You only have to flip through the pages to see that money was a small part of what made Deitch Projects so special. The essential thing was to be a model for arts entrepreneurs around the world. The Star Ledger
Live the Art is anything but the average coffee tablebook the book features photos of about two-thirds of all projects exhibited at the space, but is satisfyingly text-heavy Surface
Buy the book it s fitting that a new Stefan Sagmeister- designed coffee-table tome celebrating Deitch Projects 15-year run comes equipped with a plastic plate that suggests readers literally dine off it. Wall Street Journal
Part visual gag, part nostalgia trip, all legacy-builder, Live the Art memorializes the seminal arts-and-entertainment mecca the book perfectly sets the table for Deitch s third act whatever that may be. Departures
"It's a kind of art history memoir; told as a visual essay..." -New York Magazine
Autumn brings a fresh, fascinating crop of art, architecture, and design releases. This is one of our favorites. Architectural Digest