This book about the invention of the opera house, a building type of world-wide importance, treats its subject in interdisciplinary ways that involve music, art, theater, politics, and renaissance studies. Its careful scholarship is for specialists, while its clear, lively prose is for general readers. It is the only work in English on the subject.
This book about the invention of the opera house, a building type of world-wide importance, treats its subject in interdisciplinary ways that involve music, art, theater, politics, and renaissance studies. Its careful scholarship is for specialists, while its clear, lively prose is for general readers. It is the only work in English on the subject.
Eugene J. Johnson is Amos Lawrence Professor of Art History at Williams College, Massachusetts.
Inhaltsangabe
1. Ferrara and Mantua, 1486-1519 2. Rome 1480s-1520 3. Early theaters in Venice and the Veneto 4. Sixteenth-century Florence, with excursions to Venice, Lyon and Siena 5. Early permanent theaters and the commedia dell'arte 6. Theaters in the ancient manner and Andrea Palladio 7. Drama-Tourney theaters 8. Ferrara, Parma, and theaters of Giovanni Battista Aleotti 9. Seventeenth-century theaters in Venice: the invention of the opera house 10. Seventeenth-century theaters for comedy and opera 11. Teatro di Tordinona in Rome, Queen Christina of Sweden, and Carlo Fontana.
1. Ferrara and Mantua, 1486-1519 2. Rome 1480s-1520 3. Early theaters in Venice and the Veneto 4. Sixteenth-century Florence, with excursions to Venice, Lyon and Siena 5. Early permanent theaters and the commedia dell'arte 6. Theaters in the ancient manner and Andrea Palladio 7. Drama-Tourney theaters 8. Ferrara, Parma, and theaters of Giovanni Battista Aleotti 9. Seventeenth-century theaters in Venice: the invention of the opera house 10. Seventeenth-century theaters for comedy and opera 11. Teatro di Tordinona in Rome, Queen Christina of Sweden, and Carlo Fontana.
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