Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how a version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience.
Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how a version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience.
Introduction chapterOne Selling Indians: Traveling wild West Shows, Painters, Minstrels, and Museums chapterTwo Charles Bird King's Studio Indians chapterThree The Traveling Indian Medicine Show chapterFour chapterFive chapterSix Sitting Bull and Buffalo Bill chapterSeven Ghost Dancers in Germany chapterEight
Introduction chapterOne Selling Indians: Traveling wild West Shows, Painters, Minstrels, and Museums chapterTwo Charles Bird King's Studio Indians chapterThree The Traveling Indian Medicine Show chapterFour chapterFive chapterSix Sitting Bull and Buffalo Bill chapterSeven Ghost Dancers in Germany chapterEight
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