Maja and Reuben Fowkes are curators and art historians with a focus on the theory and aesthetics of Eastern European art from the socialist era to the present. They are co-directors of the Translocal Institute for Contemporary Art, a research centre in Budapest that operates at the intersection between ecological thought and contemporary art.
Inhaltsangabe
Introduction . 1. 1950s: Competing Paths to a Higher Form of Realism . 2. 1960s: Gestures of Liberation . 3. 1970s: Practising Impossible Art . 4. 1980s: Excesses of Non-Conformity . 5. 1990s: Critical Exposures . 6. 2000s: Radical Recollections of the Global Transitioners . 7. 2010s: Sculpting Uncertainty . Conclusion
