Baroque Visual Rhetoric probes the Baroque's combination of style and message and the methodological basis on which the critical art historian comes to establish that meaning.
Baroque Visual Rhetoric probes the Baroque's combination of style and message and the methodological basis on which the critical art historian comes to establish that meaning.
Vernon Hyde Minor is a professor emeritus in the Department of Art and Art History at the University of Colorado Boulder.
Inhaltsangabe
1. Introduction 2. Critical Perspectives 3. Giovanni Lorenzo Bernini and Inexpressibility 4. Death and Dying in St.Peter’s Basilica: Part I 5. Death and Dying in St. Peter’s: Basilica: Part II 6. Eighteenth-Century Baroque: the style that did not (quite) die 7. Narrative and Symbol in the Apostle’s Series, San Giovanni in Lateran 8. Fear and Trembling in Francesco Borromini’s Sant’Ivo alla Sapienza 9. Baroque Conceits: Domenichino and Baciccio 10. Bernini and the Metaphor of the Fiery Angel 11. Blaise Pascal, Jansenists, Jesuits, and the Lettres Provinciales 12. The Corsini Chapel (Rome): Its Sense of Place and Time
1. Introduction 2. Critical Perspectives 3. Giovanni Lorenzo Bernini and Inexpressibility 4. Death and Dying in St.Peter’s Basilica: Part I 5. Death and Dying in St. Peter’s: Basilica: Part II 6. Eighteenth-Century Baroque: the style that did not (quite) die 7. Narrative and Symbol in the Apostle’s Series, San Giovanni in Lateran 8. Fear and Trembling in Francesco Borromini’s Sant’Ivo alla Sapienza 9. Baroque Conceits: Domenichino and Baciccio 10. Bernini and the Metaphor of the Fiery Angel 11. Blaise Pascal, Jansenists, Jesuits, and the Lettres Provinciales 12. The Corsini Chapel (Rome): Its Sense of Place and Time
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