Beginning with the Neolithic period, pre-3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c1000 BCE), this text is an introduction to the visual arts and architecture of the era. The historical and social context of the art is discussed.
Beginning with the Neolithic period, pre-3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c1000 BCE), this text is an introduction to the visual arts and architecture of the era. The historical and social context of the art is discussed.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Donald Preziosi is Professor of Art History, UCLA, where he developed and directs the art history critical theory programme, as well as the UCLA museum studies programme. Dr Louise Hitchcock is a Research Associate of the Institute of Archaeology at UCLA. She received the prestigious Edward A. Dickson Fellowship on several occasions prior to completing her Ph.D., and was a Fellow of the American School of Classical Studies, Athens.
Inhaltsangabe
* 1: Introduction: Aegean Art and Architecture * The environment Discovering the Aegean World Art and art history Objectives Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas The vernacular tradition in Greece and Crete Ritual practices Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro Minoan villas: function and design The terminology and typology of Minoan palatial buildings The Minoan and Mycenaean spheres of influence Religious practices Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos The Mycenaean palace at Knossos Haghia Triadha and Kommos The continuation of Minoan building techniques in the Third Palace Period Burial practices The Mycenaean shrine at Phylakopi The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions The international style Cyprus, Palestine, and the Peoples of the Sea Tradition and transformation What goes around comes around: Daedalus returns to Crete. * Notes List of Illustrations Bibliographic Essay Timeline Index
* 1: Introduction: Aegean Art and Architecture * The environment Discovering the Aegean World Art and art history Objectives Organization. * 2: The Neolithic Period and the Prepalatial Early Bronze Age * Settlements Burial practices. * 3: The First Palace Period * Middle Bronze Age palaces and villas The vernacular tradition in Greece and Crete Ritual practices Summary. * 4: The Second Palace Period * Public art, private art, and the palatial architectural style The Second Palaces: Knossos, Phaistos, Gournia, and Kato Zakro Minoan villas: function and design The terminology and typology of Minoan palatial buildings The Minoan and Mycenaean spheres of influence Religious practices Burial practices. * 5: Mycenaean Domination and the Minoan Tradition * The Mycenaean palace at Pylos The Mycenaean palace at Knossos Haghia Triadha and Kommos The continuation of Minoan building techniques in the Third Palace Period Burial practices The Mycenaean shrine at Phylakopi The circuit walls at Mycenae and Tiryns. * 6: Conclusion: Disruptions, (Dis)Continuities, and the Bronze Age * The eastward migration of Aegean traditions The international style Cyprus, Palestine, and the Peoples of the Sea Tradition and transformation What goes around comes around: Daedalus returns to Crete. * Notes List of Illustrations Bibliographic Essay Timeline Index
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