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9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself. Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.
9.5 Theses on Art and Class seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art's most persistent debates, from definitions of political art to the troubled status of "outsider" and street art to the question of how we maintain faith in art itself.
Ben Davis currently lives and works in New York City where he is Executive Editor at Artinfo.
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Ben Davis was born in Seattle, Washington. He currently lives and works in New York City where he is Executive Editor at Artinfo.
Inhaltsangabe
1) INTRODUCTION 2) 9.5 THESES ON ART AND CLASS 3) ART CLASS 4) ART AND INEQUALITY 5) AESTHETIC POLITICS? 6) COLLECTIVE DELUSIONS 7) WHAT GOOD IS POLITICAL ART IN TIMES LIKE THESE? 8) THE BILLY PAPPAS PROBLEM 9) BENEATH STREET ART, THE BEACH 10) WHITE WALLS, GLASS CEILING 11) THE SOCIAL BASIS OF THE HIPSTER AESTHETIC 12) COMMERCE AND CONSCIOUSNESS 13) ART AS THE HUMAN RESISTANCE TO THE UNDEAD 14) CRISIS AND CRITICISM 15) IN DEFENSE OF CONCEPTS 16) THE AGE OF SEMI-POST-POSTMODERNISM 17) BEYOND THE ART WORLD 18) THE PAST, THE PRESENT, AND THE FUTURE
1) INTRODUCTION 2) 9.5 THESES ON ART AND CLASS 3) ART CLASS 4) ART AND INEQUALITY 5) AESTHETIC POLITICS? 6) COLLECTIVE DELUSIONS 7) WHAT GOOD IS POLITICAL ART IN TIMES LIKE THESE? 8) THE BILLY PAPPAS PROBLEM 9) BENEATH STREET ART, THE BEACH 10) WHITE WALLS, GLASS CEILING 11) THE SOCIAL BASIS OF THE HIPSTER AESTHETIC 12) COMMERCE AND CONSCIOUSNESS 13) ART AS THE HUMAN RESISTANCE TO THE UNDEAD 14) CRISIS AND CRITICISM 15) IN DEFENSE OF CONCEPTS 16) THE AGE OF SEMI-POST-POSTMODERNISM 17) BEYOND THE ART WORLD 18) THE PAST, THE PRESENT, AND THE FUTURE
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