Marianne Dekoven
Utopia Limited: The Sixties and the Emergence of the Postmodern
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Marianne Dekoven
Utopia Limited: The Sixties and the Emergence of the Postmodern
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The end of the modern and the emergence of the postmodern in 1960s philosophy, literature, and popular culture.
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The end of the modern and the emergence of the postmodern in 1960s philosophy, literature, and popular culture.
Produktdetails
- Produktdetails
- Post-Contemporary Intervention
- Verlag: Duke University Press
- New
- Seitenzahl: 384
- Erscheinungstermin: Mai 2004
- Englisch
- Abmessung: 234mm x 157mm x 23mm
- Gewicht: 544g
- ISBN-13: 9780822332695
- ISBN-10: 0822332698
- Artikelnr.: 22099740
- Post-Contemporary Intervention
- Verlag: Duke University Press
- New
- Seitenzahl: 384
- Erscheinungstermin: Mai 2004
- Englisch
- Abmessung: 234mm x 157mm x 23mm
- Gewicht: 544g
- ISBN-13: 9780822332695
- ISBN-10: 0822332698
- Artikelnr.: 22099740
Marianne DeKoven is Professor of English at Rutgers University. She is the author of Rich and Strange: Gender, History, Modernism and A Different Language: Gertrude Stein’s Experimental Writing and the editor of Feminist Locations: Global and Local, Theory and Practice.
Preface ix
Acknowledgments xvii
I. Modern to Postmodern
Introduction: Modern, Sixties, Postmodern 3
1. Modern to Postmodern in Herbert Marcuse 26
II. Culture Industry to Popular Culture
2. Culture Industry to Popular Culture in Mythologies 57
3. Las Vegas Signs Taken for Wonders 72
4. Loathing and Learning in Las Vegas 86
5. Endnotes I: Sixties, Avant-Garde, Popular Culture 114
III. Participatory Democracy to Postmodern Populism
6. Participatory Democracy in Port Huron 123
7. Paradise Then 143
8. William Burroughs: Any Number Can Play 161
9. Endnotes II: Sixties, Avant-Garde, Popular Culture 183
IV. Subject Politics
10. Politics of the Self 189
11. Laing’s Politics of the Self 200
12. Tell Me Lies about Vietnam 210
13. Fire Next Time or Rainbow Sign 228
14. Personal and Political 249
15. Utopia Limited 270
Conclusion: Post-Utopian Promise 288
Notes 291
Selected Annotated Bibliography
Part 1. The Postmodern 323
Part II. The Sixties 334
Index 345
Acknowledgments xvii
I. Modern to Postmodern
Introduction: Modern, Sixties, Postmodern 3
1. Modern to Postmodern in Herbert Marcuse 26
II. Culture Industry to Popular Culture
2. Culture Industry to Popular Culture in Mythologies 57
3. Las Vegas Signs Taken for Wonders 72
4. Loathing and Learning in Las Vegas 86
5. Endnotes I: Sixties, Avant-Garde, Popular Culture 114
III. Participatory Democracy to Postmodern Populism
6. Participatory Democracy in Port Huron 123
7. Paradise Then 143
8. William Burroughs: Any Number Can Play 161
9. Endnotes II: Sixties, Avant-Garde, Popular Culture 183
IV. Subject Politics
10. Politics of the Self 189
11. Laing’s Politics of the Self 200
12. Tell Me Lies about Vietnam 210
13. Fire Next Time or Rainbow Sign 228
14. Personal and Political 249
15. Utopia Limited 270
Conclusion: Post-Utopian Promise 288
Notes 291
Selected Annotated Bibliography
Part 1. The Postmodern 323
Part II. The Sixties 334
Index 345
Preface ix
Acknowledgments xvii
I. Modern to Postmodern
Introduction: Modern, Sixties, Postmodern 3
1. Modern to Postmodern in Herbert Marcuse 26
II. Culture Industry to Popular Culture
2. Culture Industry to Popular Culture in Mythologies 57
3. Las Vegas Signs Taken for Wonders 72
4. Loathing and Learning in Las Vegas 86
5. Endnotes I: Sixties, Avant-Garde, Popular Culture 114
III. Participatory Democracy to Postmodern Populism
6. Participatory Democracy in Port Huron 123
7. Paradise Then 143
8. William Burroughs: Any Number Can Play 161
9. Endnotes II: Sixties, Avant-Garde, Popular Culture 183
IV. Subject Politics
10. Politics of the Self 189
11. Laing’s Politics of the Self 200
12. Tell Me Lies about Vietnam 210
13. Fire Next Time or Rainbow Sign 228
14. Personal and Political 249
15. Utopia Limited 270
Conclusion: Post-Utopian Promise 288
Notes 291
Selected Annotated Bibliography
Part 1. The Postmodern 323
Part II. The Sixties 334
Index 345
Acknowledgments xvii
I. Modern to Postmodern
Introduction: Modern, Sixties, Postmodern 3
1. Modern to Postmodern in Herbert Marcuse 26
II. Culture Industry to Popular Culture
2. Culture Industry to Popular Culture in Mythologies 57
3. Las Vegas Signs Taken for Wonders 72
4. Loathing and Learning in Las Vegas 86
5. Endnotes I: Sixties, Avant-Garde, Popular Culture 114
III. Participatory Democracy to Postmodern Populism
6. Participatory Democracy in Port Huron 123
7. Paradise Then 143
8. William Burroughs: Any Number Can Play 161
9. Endnotes II: Sixties, Avant-Garde, Popular Culture 183
IV. Subject Politics
10. Politics of the Self 189
11. Laing’s Politics of the Self 200
12. Tell Me Lies about Vietnam 210
13. Fire Next Time or Rainbow Sign 228
14. Personal and Political 249
15. Utopia Limited 270
Conclusion: Post-Utopian Promise 288
Notes 291
Selected Annotated Bibliography
Part 1. The Postmodern 323
Part II. The Sixties 334
Index 345