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Drawing upon unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists, Fox-Amato argues that slavery, abolition, and race in antebellum America cannot be understood without looking at the visual culture photography spawned¿or the development of photography without considering how slavery shaped it.

Produktbeschreibung
Drawing upon unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists, Fox-Amato argues that slavery, abolition, and race in antebellum America cannot be understood without looking at the visual culture photography spawned¿or the development of photography without considering how slavery shaped it.
Autorenporträt
Matthew Fox-Amato is Assistant Professor of History at the University of Idaho. He is a historian of visual and material culture.