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  • Format: ePub

Nicky Marlow needs a job. He's engaged to be married and the employment market in Britain in 1937 is pretty slim. So when his fiancée points out the position with an English armaments manufacturer in Italy, he jumps at the chance. Soon after he arrives, however, he learns the sinister truth about his predecessor's departure and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realizes that it's not so simple just to do the job he's paid for - not in fascist Italy, on the eve of a world war.

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Produktbeschreibung
Nicky Marlow needs a job. He's engaged to be married and the employment market in Britain in 1937 is pretty slim. So when his fiancée points out the position with an English armaments manufacturer in Italy, he jumps at the chance. Soon after he arrives, however, he learns the sinister truth about his predecessor's departure and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realizes that it's not so simple just to do the job he's paid for - not in fascist Italy, on the eve of a world war.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Eric Ambler (1909-98) was born in London to parents who were part-time entertainers. He studied engineering but left college without taking a degree and became a copywriter in the advertising industry. Between 1937 and 1940, he published his great anti-fascist spy thrillers: Uncommon Danger, Epitaph for a Spy, Cause for Alarm, The Mask of Dimitrios, and Journey into Fear. In 1940, he joined the Royal Artillery and was later transferred to the army film unit. After the war he worked as a screenwriter in England and Hollywood and married his second wife, a leading Hollywood producer. Ambler's post-war novels include Passage of Arms, The Light of Day and A Kind of Anger, and his profound influence on the genre has been acknowledged by writers including Graham Greene, Ian Fleming and John le Carré.