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Collection of critical essays on 16 different filmmakers, including Yvonne Rainer, Barbara Hammer, and Cheryl Dunye.
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Collection of critical essays on 16 different filmmakers, including Yvonne Rainer, Barbara Hammer, and Cheryl Dunye.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 432
- Erscheinungstermin: Oktober 2007
- Englisch
- Abmessung: 236mm x 156mm x 25mm
- Gewicht: 603g
- ISBN-13: 9780822340447
- ISBN-10: 0822340445
- Artikelnr.: 22890934
- Verlag: Duke University Press
- Seitenzahl: 432
- Erscheinungstermin: Oktober 2007
- Englisch
- Abmessung: 236mm x 156mm x 25mm
- Gewicht: 603g
- ISBN-13: 9780822340447
- ISBN-10: 0822340445
- Artikelnr.: 22890934
Robin Blaetz is Associate Professor and Chair of the Film Studies Program at Mount Holyoke College. She is the author of Visions of the Maid: Joan of Arc in American Film and Culture.
Acknowledgments ix
Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin
Blaetz 1
Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20
Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul
Arthur 45
Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation,
Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67
Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89
Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and
Kathryn Ramey 103
“Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin /
Ara Osterweil 127
Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A.
Haller 152
Barbara Hammer: Lyrics and History / Chuck Kleinhans 167
Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188
Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211
In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239
Sounds, Intervals, and Startling Images in the Films of Abigail Child /
Maureen Turim 263
Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290
Su Friedrich: Breaking the Rules / Janet Cutler 312
The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen
McHugh 339
Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald
360
Appendix: Film Distribution 383
Bibliography 385
Contributors 401
Index 405
Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin
Blaetz 1
Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20
Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul
Arthur 45
Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation,
Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67
Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89
Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and
Kathryn Ramey 103
“Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin /
Ara Osterweil 127
Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A.
Haller 152
Barbara Hammer: Lyrics and History / Chuck Kleinhans 167
Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188
Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211
In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239
Sounds, Intervals, and Startling Images in the Films of Abigail Child /
Maureen Turim 263
Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290
Su Friedrich: Breaking the Rules / Janet Cutler 312
The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen
McHugh 339
Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald
360
Appendix: Film Distribution 383
Bibliography 385
Contributors 401
Index 405
Acknowledgments ix
Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin
Blaetz 1
Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20
Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul
Arthur 45
Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation,
Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67
Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89
Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and
Kathryn Ramey 103
“Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin /
Ara Osterweil 127
Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A.
Haller 152
Barbara Hammer: Lyrics and History / Chuck Kleinhans 167
Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188
Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211
In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239
Sounds, Intervals, and Startling Images in the Films of Abigail Child /
Maureen Turim 263
Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290
Su Friedrich: Breaking the Rules / Janet Cutler 312
The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen
McHugh 339
Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald
360
Appendix: Film Distribution 383
Bibliography 385
Contributors 401
Index 405
Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin
Blaetz 1
Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20
Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul
Arthur 45
Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation,
Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67
Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89
Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and
Kathryn Ramey 103
“Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin /
Ara Osterweil 127
Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A.
Haller 152
Barbara Hammer: Lyrics and History / Chuck Kleinhans 167
Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188
Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211
In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239
Sounds, Intervals, and Startling Images in the Films of Abigail Child /
Maureen Turim 263
Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290
Su Friedrich: Breaking the Rules / Janet Cutler 312
The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen
McHugh 339
Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald
360
Appendix: Film Distribution 383
Bibliography 385
Contributors 401
Index 405