Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This edited collection brings together a team of top industry experts to provide a comprehensive look at the entire media workflow from start to finish.
This edited collection brings together a team of top industry experts to provide a comprehensive look at the entire media workflow from start to finish.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Contents Introduction Acknowledgements Introduction Overview Revolution #1 - Television Enters the Scene Revolution #2 - We Go Digital and Files Replace Physical Media Revolution #3 - Multiplatform Distribution Revolution #4 - Things Get Cloudy Production Cameras The Types of Cameras and Their Uses The Basics of Digital Cameras The Implications of Camera Imaging Sensor Choice on System Requirements The Various Forms of Color Coding & Color Spaces What Does Gamma and Log Processing Mean? What RAW Means and How to Digitally Process It Compressed File Systems Uncompressed File Systems Common Camera Media Types Common File Formats for Cameras Common Production Formats What Ingest Means and How to Organize It Asset Management On-set Grading Dailies Sources and Types of Metadata The Role of the DIT The Role of the Data Wrangler eXtensible Markup Language (XML) Key XML Terminology Cloud Impacts Post-Production Introduction Post-Production in Detail Preparation Technical Preparation Post-Production Specific for TV The End Game! Dailies in More Depth Editorial Different Editorial Groups Visual Effects (VFX) VFX in Pre-Production VFX in Production VFX in Post-Production Sound Sound Editorial Mixing Predubs Soundtrack Versions Audio Loudness for TV and the Home Digital Intermediate Conforming Image Fixing Finishing Color Pre-Timing and Reference Look Mastering and Versioning Preparation Mastering and Versioning Mastering and Versioning Applied to TV Documentary Titling, Captions, Subtitles, and Alternate Takes Title Sequences Captioning and Subtitling Alternate Takes Quality Control (QC) QC for Theatrical Delivery QC for Television Compliance QC for Television Delivery Content QC Area for TV Immersive Audio QC QC Database of QC Items Photosensitive Epilepsy (PSE) Sound Audibility for Television Archive The Future of Post-Production Bonus Content Special Section 1: Color Pipeline Special Section 2: High Dynamic Range Special Section 3: Visual Effects Managing Your Media Assets and Workflows Content Identification and its own metadata Advertising Content Identification for Programs Business Systems DAM/MAM Systems Programming Workflow Media Planning and Promotion in Linear Network and Broadcast Television Sales/Traffic/Scheduling Master Control Automation / Playback How BXF Can Help Quality Control Annex A: Classification of QC checks The Interoperable Master Format Implications of IMF for Asset Management and Workflows The Business Case for IMF Automating Workflows Cloud Impacts Distribution to the Viewer History and Evolution of Broadcast Networks and Stations Modern Broadcast Networks and Stations History and Evolution of Cable Systems and Cable Channels Traditional Cable Systems and Cable Channels History and Evolution of Satellite Television Modern Satellite Television Systems History and Evolution of Internet Video and OTT Services Modern Internet Video and OTT Services Modern Cable Systems History and Evolution of Pre-Recorded Media History and Evolution of Digital Cinema Modern Digital Cinema Workflows Mastering Picture Stereo Picture Captions and Subtitles Auxiliary Data Other Unique Formats Creating the Digital Cinema Package (DCP) MXF Wrapping and Encryption Composition Play List (CPL) Asset Map, Volume Index, and Packing List Key Delivery Message (KDM) Transport Theater Storage and Projection Theater Management Systems (TMS) Showtime Projection Projector Types Summary - The Impact of Distribution Systems on Production Workflows Wrapup - Content Delivery to Multiple Distribution Systems Archive and Preservation Introduction Why Digital Archive Creation Consumption Archive Libraries, Repositories, and Archives Digital Library Digital Repository and Digital Archive Preservation Library and Archive Science Forever Is a Long Time What Is an Asset? Asset Value The Asset Construct Technical Metadata Connecting Metadata and Essence Data Scale Enterprise and Broadcast Technology Collide Backup Hierarchical Storage Management (HSM) Content Storage Management (CSM) and Active Archive Software Defined Archive (SDA) Build Versus Buy Storage Technology Solid State Hard Drives Optical Disc Data Tape Public Cloud Services Future Technologies Storage Classifications Tier 0 Storage Tier 1 Storage Tier 2 Storage Tier 3 Storage Tier 4 Storage Storage Tier Summary The Anatomy of a Digital Archive Storage Abstraction Storage Orchestration Archive Maintenance Asset Integrity Connecting the Bits and Pieces Archive Transformation and Modernization Standards-Based Digital Asset Protection Archive eXchange Format (AXF) Standard A Closer Look AXF Structures Inside an AXF Object History of AXF Conclusion Looking Ahead Looking Deep into the Future: Al Kovalick The Granddaddy of Exponential Laws in Electronics The Power of the Exponential The Evolution of Infrastructure Elements Software Powers Media Workflows Networking Capability and Performance Infrastructure Rides the Exponential The Analog and Digital S-Curves The COTS/IP S-Curve The SDMI S-Curve The Public Cloud S-Curve Contemporaneous S-Curves Final Words The Future Is Real The Future is Real Glossary of Terms Index
Contents Introduction Acknowledgements Introduction Overview Revolution #1 - Television Enters the Scene Revolution #2 - We Go Digital and Files Replace Physical Media Revolution #3 - Multiplatform Distribution Revolution #4 - Things Get Cloudy Production Cameras The Types of Cameras and Their Uses The Basics of Digital Cameras The Implications of Camera Imaging Sensor Choice on System Requirements The Various Forms of Color Coding & Color Spaces What Does Gamma and Log Processing Mean? What RAW Means and How to Digitally Process It Compressed File Systems Uncompressed File Systems Common Camera Media Types Common File Formats for Cameras Common Production Formats What Ingest Means and How to Organize It Asset Management On-set Grading Dailies Sources and Types of Metadata The Role of the DIT The Role of the Data Wrangler eXtensible Markup Language (XML) Key XML Terminology Cloud Impacts Post-Production Introduction Post-Production in Detail Preparation Technical Preparation Post-Production Specific for TV The End Game! Dailies in More Depth Editorial Different Editorial Groups Visual Effects (VFX) VFX in Pre-Production VFX in Production VFX in Post-Production Sound Sound Editorial Mixing Predubs Soundtrack Versions Audio Loudness for TV and the Home Digital Intermediate Conforming Image Fixing Finishing Color Pre-Timing and Reference Look Mastering and Versioning Preparation Mastering and Versioning Mastering and Versioning Applied to TV Documentary Titling, Captions, Subtitles, and Alternate Takes Title Sequences Captioning and Subtitling Alternate Takes Quality Control (QC) QC for Theatrical Delivery QC for Television Compliance QC for Television Delivery Content QC Area for TV Immersive Audio QC QC Database of QC Items Photosensitive Epilepsy (PSE) Sound Audibility for Television Archive The Future of Post-Production Bonus Content Special Section 1: Color Pipeline Special Section 2: High Dynamic Range Special Section 3: Visual Effects Managing Your Media Assets and Workflows Content Identification and its own metadata Advertising Content Identification for Programs Business Systems DAM/MAM Systems Programming Workflow Media Planning and Promotion in Linear Network and Broadcast Television Sales/Traffic/Scheduling Master Control Automation / Playback How BXF Can Help Quality Control Annex A: Classification of QC checks The Interoperable Master Format Implications of IMF for Asset Management and Workflows The Business Case for IMF Automating Workflows Cloud Impacts Distribution to the Viewer History and Evolution of Broadcast Networks and Stations Modern Broadcast Networks and Stations History and Evolution of Cable Systems and Cable Channels Traditional Cable Systems and Cable Channels History and Evolution of Satellite Television Modern Satellite Television Systems History and Evolution of Internet Video and OTT Services Modern Internet Video and OTT Services Modern Cable Systems History and Evolution of Pre-Recorded Media History and Evolution of Digital Cinema Modern Digital Cinema Workflows Mastering Picture Stereo Picture Captions and Subtitles Auxiliary Data Other Unique Formats Creating the Digital Cinema Package (DCP) MXF Wrapping and Encryption Composition Play List (CPL) Asset Map, Volume Index, and Packing List Key Delivery Message (KDM) Transport Theater Storage and Projection Theater Management Systems (TMS) Showtime Projection Projector Types Summary - The Impact of Distribution Systems on Production Workflows Wrapup - Content Delivery to Multiple Distribution Systems Archive and Preservation Introduction Why Digital Archive Creation Consumption Archive Libraries, Repositories, and Archives Digital Library Digital Repository and Digital Archive Preservation Library and Archive Science Forever Is a Long Time What Is an Asset? Asset Value The Asset Construct Technical Metadata Connecting Metadata and Essence Data Scale Enterprise and Broadcast Technology Collide Backup Hierarchical Storage Management (HSM) Content Storage Management (CSM) and Active Archive Software Defined Archive (SDA) Build Versus Buy Storage Technology Solid State Hard Drives Optical Disc Data Tape Public Cloud Services Future Technologies Storage Classifications Tier 0 Storage Tier 1 Storage Tier 2 Storage Tier 3 Storage Tier 4 Storage Storage Tier Summary The Anatomy of a Digital Archive Storage Abstraction Storage Orchestration Archive Maintenance Asset Integrity Connecting the Bits and Pieces Archive Transformation and Modernization Standards-Based Digital Asset Protection Archive eXchange Format (AXF) Standard A Closer Look AXF Structures Inside an AXF Object History of AXF Conclusion Looking Ahead Looking Deep into the Future: Al Kovalick The Granddaddy of Exponential Laws in Electronics The Power of the Exponential The Evolution of Infrastructure Elements Software Powers Media Workflows Networking Capability and Performance Infrastructure Rides the Exponential The Analog and Digital S-Curves The COTS/IP S-Curve The SDMI S-Curve The Public Cloud S-Curve Contemporaneous S-Curves Final Words The Future Is Real The Future is Real Glossary of Terms Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
