"This powerful play, originally produced at the Nuyorican Poets Cafe, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical's crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective - it is a meticulously researched rebuttal, and absorbing drama, and a brilliant rallying cry for justice."--Back cover
"This powerful play, originally produced at the Nuyorican Poets Cafe, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical's crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective - it is a meticulously researched rebuttal, and absorbing drama, and a brilliant rallying cry for justice."--Back cover
Ishmael Reed is the author of over twenty-five books including Mumbo Jumbo , Yellow Back Radio Broke-Down, Conjugating Hindi, Why No Confederate Statues in Mexico and most recently Malcolm and Me and Why the Black Hole Sings the Blues. He is also a publisher, television producer, songwriter, radio and television commentator, lecturer, and has long been devoted to exploring an alternative black aesthetic: the trickster tradition, or Neo-Hoodooism. A regular contributor to CounterPunch and founder of the Before Columbus Foundation, he taught at the University of California, Berkeley for over thirty years, retiring in 2005. Reed is the only person to be nominated for the National Book Award in two categories in the same year.
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