This book examines the ways in which contemporary filmmakers have appropriated and mobilized archival documents in the service of representing the historical past and reformulates "the archival" as an experience that the author calls the "archive effect".
This book examines the ways in which contemporary filmmakers have appropriated and mobilized archival documents in the service of representing the historical past and reformulates "the archival" as an experience that the author calls the "archive effect".Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jaimie Baron is an Assistant Professor at the University of Alberta. Her research focuses on the production and transformation of human experience through technology. She is also the founder and director of the Festival of (In)appropriation, an annual international showcase of short, experimental found footage films.
Inhaltsangabe
Introduction: History, the Archive, and the Appropriation of the Indexical Document Chapter 1 The Archive Effect: Appropriation and the Experience of Textual Difference Chapter 2 Archival Fabrications: Simulating, Manipulating, Misusing, and Debunking the Document Chapter 3 Archival Voyeurism: Home Mode Appropriations and the Public Spectacle of Private Life Chapter 4 The Archive Affect: The Archival Fragment, Nostalgia, and the Production of Historical "Presence" Chapter 5 The Digital Archive Effect: Historiographies and Histories for the Digital Era Conclusion: Further Directions for the Archive Effect
Introduction: History, the Archive, and the Appropriation of the Indexical Document Chapter 1 The Archive Effect: Appropriation and the Experience of Textual Difference Chapter 2 Archival Fabrications: Simulating, Manipulating, Misusing, and Debunking the Document Chapter 3 Archival Voyeurism: Home Mode Appropriations and the Public Spectacle of Private Life Chapter 4 The Archive Affect: The Archival Fragment, Nostalgia, and the Production of Historical "Presence" Chapter 5 The Digital Archive Effect: Historiographies and Histories for the Digital Era Conclusion: Further Directions for the Archive Effect
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