His campaign produced a body of films saturated with a nuanced intertexual "signifying,boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.
His campaign produced a body of films saturated with a nuanced intertexual "signifying,boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
J. Ronald Green is Associate Professor of Film Studies in the Department of History of Art at Ohio State University. His writings on Micheaux and other topics have appeared in journals such as Film Quarterly, Griffithiana, Black Film Review, Quarterly Review of Film and Video, Journal of Film and Video, Cinema Journal, Afterimage, and Aperture, and in various anthologies, including Diawara's Black American Cinema.
Inhaltsangabe
Contents Acknowledgments Introduction 1. Micheaux v. Griffith 2. Micheaux's Class Position 3. Twoness and Micheaux's Style 4. Negative Images 5. The Middle Path 6. Middle?Class Cinema 7. White Financing 8. Stereotype and Caricature 9. Revising Caricature 10. Interrogating Caricature as Entertainment 11. Interrogating False Uplift 12. Passing and Film Style 13. Racial Loyalty 14. Micheaux and Cinema Today Appendix One: On Class and the Classical Appendix Two: Filmography Appendix Three: Selections from the Black Press Appendix Four: Bibliography Notes Index
Contents Acknowledgments Introduction 1. Micheaux v. Griffith 2. Micheaux's Class Position 3. Twoness and Micheaux's Style 4. Negative Images 5. The Middle Path 6. Middle?Class Cinema 7. White Financing 8. Stereotype and Caricature 9. Revising Caricature 10. Interrogating Caricature as Entertainment 11. Interrogating False Uplift 12. Passing and Film Style 13. Racial Loyalty 14. Micheaux and Cinema Today Appendix One: On Class and the Classical Appendix Two: Filmography Appendix Three: Selections from the Black Press Appendix Four: Bibliography Notes Index
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