A major study of solo performance in the UK and Europe that examines the significance of exceptional lives in neoliberal times. With case studies drawn from theatre, comedy and live art, it combines insights from gender studies, politics and sociology to present a new queer account of subjectivity at the start of the twenty-first century. -- .
A major study of solo performance in the UK and Europe that examines the significance of exceptional lives in neoliberal times. With case studies drawn from theatre, comedy and live art, it combines insights from gender studies, politics and sociology to present a new queer account of subjectivity at the start of the twenty-first century. -- .
Stephen Greer is Senior Lecturer in Theatre Practices at the University of Glasgow
Inhaltsangabe
List of figures Acknowledgments Introduction 1. Locating solo performance 2. The martyr: dramaturgies of endurance, exhaustion and confession 3. The pariah: queer outcasts and the politics of wounded attachment 4. The killjoy: public unhappiness and theatrical scapegoats 5. The stranger: performing 'out-of-placeness' in the UK and Europe 6. The misfit: illness, disability and 'improper' subjects 7. The optimist: alternatives to neoliberalism in the here and now Conclusion References Index
List of figures Acknowledgments Introduction 1. Locating solo performance 2. The martyr: dramaturgies of endurance, exhaustion and confession 3. The pariah: queer outcasts and the politics of wounded attachment 4. The killjoy: public unhappiness and theatrical scapegoats 5. The stranger: performing 'out-of-placeness' in the UK and Europe 6. The misfit: illness, disability and 'improper' subjects 7. The optimist: alternatives to neoliberalism in the here and now Conclusion References Index
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