In Popular Trauma Culture, Anne Rothe argues that American Holocaust discourse has a particular plot structureâ€"characterized by a melodramatic conflict between good and evil and embodied in the core characters of victim/survivor and perpetratorâ€"and that it provides the paradigm for representing personal experiences of pain and suffering in the mass media.
In Popular Trauma Culture, Anne Rothe argues that American Holocaust discourse has a particular plot structureâ€"characterized by a melodramatic conflict between good and evil and embodied in the core characters of victim/survivor and perpetratorâ€"and that it provides the paradigm for representing personal experiences of pain and suffering in the mass media.
ANNE ROTHE is an assistant professor of German at Wayne State University.
Inhaltsangabe
Preface Acknowledgments Introduction: Oprah at Auschwitz Part I. Popular Trauma Culture: Generating the Paradigm in Holocaust Discourse 1. Holocaust Tropes 2. Victim Talk 3. American Survivors 4. Trauma Kitsch Part II. Television: Watching the Pain of Others on Daytime Talk Shows 5. Talking Cures 6. Trauma Camp Part III. Popular Literature: Reading the Pain of Others in Misery Memoirs 7. Selling Misery 8. Fake Suffering 9. Forging Child Abuse 10. Simulating Holocaust Survival Epilogue: Fantasies of Witnessing Notes Index
Preface Acknowledgments Introduction: Oprah at Auschwitz Part I. Popular Trauma Culture: Generating the Paradigm in Holocaust Discourse 1. Holocaust Tropes 2. Victim Talk 3. American Survivors 4. Trauma Kitsch Part II. Television: Watching the Pain of Others on Daytime Talk Shows 5. Talking Cures 6. Trauma Camp Part III. Popular Literature: Reading the Pain of Others in Misery Memoirs 7. Selling Misery 8. Fake Suffering 9. Forging Child Abuse 10. Simulating Holocaust Survival Epilogue: Fantasies of Witnessing Notes Index
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