Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions.
Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions.
Geraldine Cousin is Senior Lecturer in Theatre Studies at the University of Warwick
Inhaltsangabe
Preface 1. The Collapsing House 2. Past Present: dramatisations of 'return' 3. Enter the Revenant 4. Nunc Instantis: Arcadia and Copenhagen 5. Stories of Lost Futures 6. The Skriker's Progeny 7. Blood Sacrifice 8. Daughters' Tales 9. Coram Boy: a final story
Preface 1. The Collapsing House 2. Past Present: dramatisations of 'return' 3. Enter the Revenant 4. Nunc Instantis: Arcadia and Copenhagen 5. Stories of Lost Futures 6. The Skriker's Progeny 7. Blood Sacrifice 8. Daughters' Tales 9. Coram Boy: a final story
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