With insightful analyses of the contributions of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis, this book considers the complex roles of jazz and race in classic film noir.
With insightful analyses of the contributions of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis, this book considers the complex roles of jazz and race in classic film noir.
Acknowledgments Permissions Introduction: Nostalgia for the Lush Life Chapter 1: Pie Eye’s Juke Joint: Jazz and Its Interpretations Chapter 2: The Porters and Waiters Club: Jazz, Movies, and Ogden Chapter 3: Studio Jazz from Harlem to Acapulco Chapter 4: The Blue Gardenia, Club Pigalle, and Daniel’s: Charting the Alienation Effect in Film Noir Chapter 5: From Elysium to Robards, from Real to Reel Chapter 6: A Paris Bar where Miles Innovates Chapter 7: "All the Very Gay Places": Ellington and Strayhorn Swing in Northern Michigan Chapter 8: Cannoy’s Club: “All Men Are Evil” Chapter 9: “Jeep’s Blues” and Jazz Today Notes Bibliography Index
Acknowledgments Permissions Introduction: Nostalgia for the Lush Life Chapter 1: Pie Eye’s Juke Joint: Jazz and Its Interpretations Chapter 2: The Porters and Waiters Club: Jazz, Movies, and Ogden Chapter 3: Studio Jazz from Harlem to Acapulco Chapter 4: The Blue Gardenia, Club Pigalle, and Daniel’s: Charting the Alienation Effect in Film Noir Chapter 5: From Elysium to Robards, from Real to Reel Chapter 6: A Paris Bar where Miles Innovates Chapter 7: "All the Very Gay Places": Ellington and Strayhorn Swing in Northern Michigan Chapter 8: Cannoy’s Club: “All Men Are Evil” Chapter 9: “Jeep’s Blues” and Jazz Today Notes Bibliography Index
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