This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue.
This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue.
Steven Dillon is Professor of English at Bates College in Lewiston, Maine.
Inhaltsangabe
* Acknowledgments * Chapter One: Derek Jarman and the History of Lyric Film * Chapter Two: The Mirror and the Sea: Jarman's Poetry and Queer Mirroring * Chapter Three: Poetry and Interpretation in Three Early Features: Sebastiane, Jubilee, and The Tempest * Chapter Four: Poetry and the Dislocations of Sound in The Angelic Conversation and War Requiem * Chapter Five: Caravaggio and the Mirror of Gold * Chapter Six: Reading Pictures: Emblem and Gesture in The Last of England and The Garden * Chapter Seven: Into the Last, Narrow Rooms: Edward II, Wittgenstein, and Blue * Notes * Bibliography * Index
* Acknowledgments * Chapter One: Derek Jarman and the History of Lyric Film * Chapter Two: The Mirror and the Sea: Jarman's Poetry and Queer Mirroring * Chapter Three: Poetry and Interpretation in Three Early Features: Sebastiane, Jubilee, and The Tempest * Chapter Four: Poetry and the Dislocations of Sound in The Angelic Conversation and War Requiem * Chapter Five: Caravaggio and the Mirror of Gold * Chapter Six: Reading Pictures: Emblem and Gesture in The Last of England and The Garden * Chapter Seven: Into the Last, Narrow Rooms: Edward II, Wittgenstein, and Blue * Notes * Bibliography * Index
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