Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.
Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.
Acknowledgements Introduction PART ONE. GENERAL CONCEPTS 1. Authenticity 2. Evidence 3. Authority 4. Responsibility PART TWO. STRUCTURAL ORGANIZATION 5. Argument 6. Dramatic Stories, Poetic and Essay Documentaries PART THREE. FORMAL TECHNIQUES 7. Editing 8. Camerawork 9. The Profilmic 10. Sounds (coauthored with Carl Lewis) Index
Acknowledgements Introduction PART ONE. GENERAL CONCEPTS 1. Authenticity 2. Evidence 3. Authority 4. Responsibility PART TWO. STRUCTURAL ORGANIZATION 5. Argument 6. Dramatic Stories, Poetic and Essay Documentaries PART THREE. FORMAL TECHNIQUES 7. Editing 8. Camerawork 9. The Profilmic 10. Sounds (coauthored with Carl Lewis) Index
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