A guide to the craft of script supervising, this book includes practical instruction and examples explaining the skills needed to work as a professional script supervisor. Mary Cybulski details training to be and working as a script supervisor. She covers the basic skills of breaking down a script, taking notes on set, matching, cheating, screen direction, and what the director, actors, and editor expect from a script supervisor. Also included are many of the more subtle, but just as important, skills: how to get a job, how to tell what is important in a script and on set, how to get along…mehr
A guide to the craft of script supervising, this book includes practical instruction and examples explaining the skills needed to work as a professional script supervisor. Mary Cybulski details training to be and working as a script supervisor. She covers the basic skills of breaking down a script, taking notes on set, matching, cheating, screen direction, and what the director, actors, and editor expect from a script supervisor. Also included are many of the more subtle, but just as important, skills: how to get a job, how to tell what is important in a script and on set, how to get along with the cast and crew, and how not to get overwhelmed when there is too much information to process.
Mary Cybulski is a script supervisor with more than twenty years' experience. She has learned and invented techniques that have made her one of the most skilled and valued script supervisors in the US. She is the first call for many of our most inventive directors: John Sayles, David Mamet, Jane Campion, M. Night Shyamalan, Ang Lee, Charlie Kaufman, Michel Gondry, and Tony Gilroy. She has worked on numerous A-list films such as Life of Pi, Eternal Sunshine of the Spotless Mind, Michael Clayton, Syriana, and The Ice Storm. During these years she has developed her craft by both learning and creating professional techniques.
Inhaltsangabe
PART 1 INTRODUCTION What's so great about being a script supervisor? What does a script supervisor do? PART 2 GETTING STARTED How to get a job Meeting the director Making your deal PART 3 PREPRODUCTION You have the job. Now what? Prep Time The Production Office Breakdowns: What, How, and Why: Rehearsals Rewrites The Read Through Tech Scouts PART 4 PRODUCTION Getting ready for the shoot A virtual day on set Blocking Keeping the notes Rolling Film What to Remember Using Your Breakdowns The Grammar of Filmmaking Working Well with Others Wrap Safety PART 5 THE BIG PICTURE How to Learn About Acting Being a Department Head of One The Girl Thing
PART 1 INTRODUCTION What's so great about being a script supervisor? What does a script supervisor do? PART 2 GETTING STARTED How to get a job Meeting the director Making your deal PART 3 PREPRODUCTION You have the job. Now what? Prep Time The Production Office Breakdowns: What, How, and Why: Rehearsals Rewrites The Read Through Tech Scouts PART 4 PRODUCTION Getting ready for the shoot A virtual day on set Blocking Keeping the notes Rolling Film What to Remember Using Your Breakdowns The Grammar of Filmmaking Working Well with Others Wrap Safety PART 5 THE BIG PICTURE How to Learn About Acting Being a Department Head of One The Girl Thing
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