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This book explores the representation of industrial labor in Italian literature and film from the 1950s through the 1970s. The first article of the postwar Italian Constitution states that the Republic is founded on labor. Forces across the political spectrum, from Catholic to communist, invested labor with the power to build a new national community after Fascism and war. The 1950s-1970s saw dramatic transformations, in economic, social and cultural terms, as labor moved from agriculture to industry and a whole generation of Italian writers and filmmakers used literature and cinema to…mehr

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Produktbeschreibung
This book explores the representation of industrial labor in Italian literature and film from the 1950s through the 1970s. The first article of the postwar Italian Constitution states that the Republic is founded on labor. Forces across the political spectrum, from Catholic to communist, invested labor with the power to build a new national community after Fascism and war. The 1950s-1970s saw dramatic transformations, in economic, social and cultural terms, as labor moved from agriculture to industry and a whole generation of Italian writers and filmmakers used literature and cinema to interpret - and influence - these changes and to capture the new experiences of industrial labor. The essays in this book offer a comprehensive panorama of this generation's work, examining key questions and texts, set against the context of history and theory, gender and class, geography and the environment, as well as their precursors and present-day successors.


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Autorenporträt
Carlo Baghetti is a postdoctoral fellow at the Casa Velázquez in Madrid (École des Hautes Études Hispaniques et Ibériques). He holds a PhD in Italian Studies from Aix-Marseille Université and l'Università degli Studi 'La Sapienza' di Roma. He is the editor of Il lavoro raccontato. Studi su letteratura e cinema italiani dal postmodernismo all'ipermodernismo (2020) and a special issue of Costellazioni (2020) dedicated to representations of work in Europe. Jim Carter is Lecturer of Italian at Boston University. His articles on Italian industrial culture, especially at the Olivetti company, have appeared in journals like Modern Italy and Italian Culture. In 2018-2019, he won a Rome Prize from the American Academy in Rome. Lorenzo Marmo is Associate Professor of Film Studies at Universitas Mercatorum and also teaches at the Università degli Studi di Napoli 'L'Orientale.' In 2017, he was Lauro de Bosis Postdoctoral Fellow at Harvard University. He is the author of Roma e il cinema del dopoguerra. Neorealismo melodramma noir (2018).