Professor Sheila S. Blair
Islamic Calligraphy
Professor Sheila S. Blair
Islamic Calligraphy
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This stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.
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This stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 720
- Erscheinungstermin: 15. September 2008
- Deutsch, Englisch
- Abmessung: 247mm x 190mm x 41mm
- Gewicht: 1946g
- ISBN-13: 9780748635405
- ISBN-10: 0748635408
- Artikelnr.: 23450868
- Verlag: Edinburgh University Press
- Seitenzahl: 720
- Erscheinungstermin: 15. September 2008
- Deutsch, Englisch
- Abmessung: 247mm x 190mm x 41mm
- Gewicht: 1946g
- ISBN-13: 9780748635405
- ISBN-10: 0748635408
- Artikelnr.: 23450868
Sheila S. Blair
List of Figures
List of Abbreviations
Glossary
Index
Part I: Introduction
Chapter 1: Arabic Script: Its Role and Principles
Chapter 2: Materials
Part II: The Development of Arabic Script in Early Islamic Times
Chapter 3: The Standardization of Arabic Script
Chapter 4: Early Manuscripts of the Koran
Part III: The Pre-Eminence of Round Scripts in the Early Middle Period
Chapter 5: The Adoption of Round Scripts
Chapter 6: The Proliferation of Round Scripts
Part IV: The Emergence of Regional Styles in the Later Middle Period
Chapter 7: Calligraphy in Iran and its Environs under the Mongols and
Turkomans
Chapter 8: Rectilinear and Curvilinear Scripts in Egypt and Syria under the
Mamluks
Chapter 9: Other Styles and Centers
Part V: Dynastic Styles in the Age of Empires
Chapter 10: The Safavids, the Qajars, and their Contemporaries in Iran and
Central Asia
Chapter 11: The Ottomans in Anatolia, the Balkans, and the Eastern
Mediterranean
Chapter 12: Other Styles and Centers
Part VI: The Many Faces of Islamic Calligraphy in Modern Times
Chapter 13: From Traditional Styles to Graphic Design and Calligraphic Art
Bibliography
Copyright Acknowledgements
Index
List of Abbreviations
Glossary
Index
Part I: Introduction
Chapter 1: Arabic Script: Its Role and Principles
Chapter 2: Materials
Part II: The Development of Arabic Script in Early Islamic Times
Chapter 3: The Standardization of Arabic Script
Chapter 4: Early Manuscripts of the Koran
Part III: The Pre-Eminence of Round Scripts in the Early Middle Period
Chapter 5: The Adoption of Round Scripts
Chapter 6: The Proliferation of Round Scripts
Part IV: The Emergence of Regional Styles in the Later Middle Period
Chapter 7: Calligraphy in Iran and its Environs under the Mongols and
Turkomans
Chapter 8: Rectilinear and Curvilinear Scripts in Egypt and Syria under the
Mamluks
Chapter 9: Other Styles and Centers
Part V: Dynastic Styles in the Age of Empires
Chapter 10: The Safavids, the Qajars, and their Contemporaries in Iran and
Central Asia
Chapter 11: The Ottomans in Anatolia, the Balkans, and the Eastern
Mediterranean
Chapter 12: Other Styles and Centers
Part VI: The Many Faces of Islamic Calligraphy in Modern Times
Chapter 13: From Traditional Styles to Graphic Design and Calligraphic Art
Bibliography
Copyright Acknowledgements
Index
List of Figures
List of Abbreviations
Glossary
Index
Part I: Introduction
Chapter 1: Arabic Script: Its Role and Principles
Chapter 2: Materials
Part II: The Development of Arabic Script in Early Islamic Times
Chapter 3: The Standardization of Arabic Script
Chapter 4: Early Manuscripts of the Koran
Part III: The Pre-Eminence of Round Scripts in the Early Middle Period
Chapter 5: The Adoption of Round Scripts
Chapter 6: The Proliferation of Round Scripts
Part IV: The Emergence of Regional Styles in the Later Middle Period
Chapter 7: Calligraphy in Iran and its Environs under the Mongols and
Turkomans
Chapter 8: Rectilinear and Curvilinear Scripts in Egypt and Syria under the
Mamluks
Chapter 9: Other Styles and Centers
Part V: Dynastic Styles in the Age of Empires
Chapter 10: The Safavids, the Qajars, and their Contemporaries in Iran and
Central Asia
Chapter 11: The Ottomans in Anatolia, the Balkans, and the Eastern
Mediterranean
Chapter 12: Other Styles and Centers
Part VI: The Many Faces of Islamic Calligraphy in Modern Times
Chapter 13: From Traditional Styles to Graphic Design and Calligraphic Art
Bibliography
Copyright Acknowledgements
Index
List of Abbreviations
Glossary
Index
Part I: Introduction
Chapter 1: Arabic Script: Its Role and Principles
Chapter 2: Materials
Part II: The Development of Arabic Script in Early Islamic Times
Chapter 3: The Standardization of Arabic Script
Chapter 4: Early Manuscripts of the Koran
Part III: The Pre-Eminence of Round Scripts in the Early Middle Period
Chapter 5: The Adoption of Round Scripts
Chapter 6: The Proliferation of Round Scripts
Part IV: The Emergence of Regional Styles in the Later Middle Period
Chapter 7: Calligraphy in Iran and its Environs under the Mongols and
Turkomans
Chapter 8: Rectilinear and Curvilinear Scripts in Egypt and Syria under the
Mamluks
Chapter 9: Other Styles and Centers
Part V: Dynastic Styles in the Age of Empires
Chapter 10: The Safavids, the Qajars, and their Contemporaries in Iran and
Central Asia
Chapter 11: The Ottomans in Anatolia, the Balkans, and the Eastern
Mediterranean
Chapter 12: Other Styles and Centers
Part VI: The Many Faces of Islamic Calligraphy in Modern Times
Chapter 13: From Traditional Styles to Graphic Design and Calligraphic Art
Bibliography
Copyright Acknowledgements
Index