Produktbild: Shrek
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Shrek The Politics and Aesthetics of Dreamworks' Digital Fairy Tale

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

18.03.2027

Abbildungen

30 bw illus

Herausgeber

Sam Summers + weitere

Verlag

Bloomsbury USA

Seitenzahl

256

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

454 g

Sprache

Englisch

EAN

9798765130254

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

18.03.2027

Abbildungen

30 bw illus

Herausgeber

Verlag

Bloomsbury USA

Seitenzahl

256

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

454 g

Sprache

Englisch

EAN

9798765130254

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Shrek
  • Introduction
    Sam Summers (Middlesex University, UK)

    Section 1: Tone and Aesthetic
    1. "You Ain't Never Seen a Donkey Fly!": Shrek's Complicated Rejection of Disney
    Amy M. Davis (University of Hull, UK)
    2. The Tech of Shrek: Flesh, Fluid, and the Digital Grotesque
    Sam Summers (Middlesex University, UK)
    3. Costume Design and Character Representation in the Shrek Franchise
    Maarit Kalmakurki (Aalto University, Finland)
    4. The Book of Shrek: Animated Tomes in the Shrek Franchise
    Jodie Coates (Cambridge University, UK)
    5. "Hey Now, You're an All Star?": Mike Myers and Shrek as Stars and Characters
    Julie Lobalzo Wright (University of Warwick, UK) & Tom Hemmingway (University of Warwick, UK)
    6. "Stop Singing!": Shrek the Anti-Musical Musical Fairy Tale
    Ryan Bunch (Rutgers University, USA)

    Section 2: Representation and Politics
    7. The Normalcy of the Ogre: Dispelling Stereotypes of Disability in Shrek
    Jessica Gibson (University of York, UK)
    8. "Man, This Would Be So Much Easier If I Wasn't Colorblind": The Shrek Franchise and Aversive Animation
    Christopher Holliday (King's College London, UK)
    9. The Beauty of Ugliness: Dependent Beauty and the Inversion of Aesthetic Categories in the Shrek Universe
    Irida Zhonga (University of Groningen, the Netherlands)
    10. Loving the Monster: Shrek, Intimate Proximity, and (Sub)genres of the Human
    Olivia Friend-Spencer (Ultrecht University, the Netherlands)
    11. "What Kind of Knight Are You?" "One of a Kind": Embracing Monstrous Queer Joy in Shrek
    Kodi Maier (University of Hull, UK)

    Section 3: Reception and Remediation
    12. Shrek and "Relatability" in Contemporary Hollywood Animation
    Noel Brown (Liverpool Hope University, UK)
    13. Let Your Freak Flag Fly: Staging Diversity and Inclusion in Shrek: the Musical
    Caleb Lee (University of Exeter, UK)
    14. "Shrek is NOT Drek": Shrek Greentexts, Irony, and Performed Fandom
    Bence Bardos (University of Kent, UK)

    Guide to Further Research
    Endnotes
    Works Cited
    Index