Produktbild: The Technique of Film and Video Editing

The Technique of Film and Video Editing History, Theory, and Practice

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

22.01.2026

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

546

Maße (L/B/H)

24,1/19,6/3,5 cm

Gewicht

1220 g

Auflage

7. Auflage

Sprache

Englisch

ISBN

978-1-03-285911-8

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

22.01.2026

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

546

Maße (L/B/H)

24,1/19,6/3,5 cm

Gewicht

1220 g

Auflage

7. Auflage

Sprache

Englisch

ISBN

978-1-03-285911-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Technique of Film and Video Editing
  • Acknowledgements

    Introduction to the Seventh Edition

    Section 1: History of Film Editing

    Chapter 1 The Silent Period

    Chapter 2 The Early Sound Film

    Chapter 3 The Influence of the Documentary

    Chapter 4 The Influence of the Popular Arts

    Chapter 5 The Influence of Other Arts

    Chapter 6 Editors Who Became Directors

    Chapter 7 Experiments in Editing: Alfred Hitchcock

    Chapter 8 Experiments in Editing II: Robert Altman

    Chapter 9 New Technologies

    Chapter 10 International Advances

    Chapter 11 The Influence of Television and Theatre

    Chapter 12 New Challenges to Filmic Narrative Conventions

    Chapter 13 The MTV Influence on Editing I

    Chapter 14 The MTV Influence on Editing II

    Chapter 15 Changes in Pace

    Chapter 16 The Appropriation of Style I: Limitation and Innovation

    Chapter 17 The Appropriation of Style II: Limitation and Innovation

    Chapter 18 The Appropriation of Style III: Digital Reality

    Section 2: Goals of Editing

    Chapter 19 Editing for Narrative Clarity

    Chapter 20 Editing for Dramatic Emphasis

    Chapter 21 Editing for Subtext

    Chapter 22 Editing for Surprise

    Chapter 23: Editing for Aesthetics

    Section 3: Editing for the Genre

    Chapter 24 Action

    Chapter 25 Dialog

    Chapter 26 Comedy

    Chapter 27 Documentary

    Chapter 28 Imaginative Documentary

    Chapter 29 Innovation in Documentary I

    Chapter 30 Innovation in Documentary II

    Chapter 31 Innovation in Documentary III: The Experimental Documentary

    Section 4: Changes in Genre

    Chapter 32 The Deep Dive

    Chapter 33 The Biopic

    Chapter 34 The Melodrama and Celine Sciamma

    Chapter 35 The Melodrama: Identity, Diaspora vs Tradition

    Chapter 36 The Reimagining of the Screwball Comedy

    Chapter 37 The Soft Satire

    Chapter 38 The Minimalist Approach

    Section 5: Principles of Editing

    Chapter 39 The Picture Edit and Continuity

    Chapter 40 The Picture Edit and Pace

    Chapter 41 Ideas and Sound

    Chapter 42 The Sound Edit and Clarity

    Chapter 43 The Sound Edit and Creative Sound

    Chapter 44 Innovations of Sound

    Chapter 45 Nonlinear Editing and Digital Technology I

    Chapter 46 Nonlinear Editing and Digital Technology II

    Chapter 47 Conclusion

    Filmography

    Glossary

    Selected Bibliography

    Index