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Produktbild: Edward Albee and the Emergence of Difference and Diversity in US and World Theatre

Edward Albee and the Emergence of Difference and Diversity in US and World Theatre 1950s-1970s

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

08.09.2025

Herausgeber

Crespy David A. + weitere

Verlag

Taylor and Francis

Seitenzahl

286

Maße (L/B/H)

24/16,1/2 cm

Gewicht

596 g

Sprache

Englisch

ISBN

978-1-03-277079-6

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

08.09.2025

Herausgeber

Verlag

Taylor and Francis

Seitenzahl

286

Maße (L/B/H)

24/16,1/2 cm

Gewicht

596 g

Sprache

Englisch

ISBN

978-1-03-277079-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Edward Albee and the Emergence of Difference and Diversity in US and World Theatre

  • Introduction

    PART I: Albee & LGBTQ Theatre & Performance, Ageism, and Latinx Drama

    Chapter 1. The New Conservatory Theatre Story: Activist Action Moments in Progressive Theatres of Identity

    Chapter 2. Reviving Medusa's Revenge, New York City's First Lesbian Theater Space

    Chapter 3. "Different Rewards": Queer Gerontological Models in the Dramaturgy of Edward Albee, Terrence McNally, and Lanford Wilson

    Chapter 4. The Making of an American Master Playwright: A History of Lanford Wilson's Home Free! and the Albee-Barr-Wilder Playwrights Unit

    Chapter 5. Whatever happened to Grandma?: Women and Aging in Edward Albee's The Sandbox (1960) and The American Dream (1961)

    Chapter 6. "I know this game, you're playing. I know it very well": Albee as Influence and Counterpoint to Crowley's The Boys in the Band

    Chapter 7. Albee, Fornés, and the Next Generation of Grotesque Theater

    PART II: Albee and the Emergence of African-American Theatre

    Chapter 8. Staging Politics of the Black Blues Bodies: Edward Albee's The Death of Bessie Smith in Conversation with August Wilson's Ma Rainey's Black Bottom

    Chapter 9. Visited by a Phantom: Adrienne Kennedy's Funnyhouse Encounter with Edward Albee

    Chapter 10. The Emergence of Identity and Protest through the Rhetorical Genre of American Absurdism

    Chapter 11. "I am an American Writer Too": James Baldwin as Emergent Playwright

    Chapter 12. Lorraine Hansberry and Anti-Colonial Drama on the Broadway Stage

    Chapter 13. Student as Citizen: Illuminating Hansberry's A Raisin in the Sun with Albee's Plays of 1959

    Chapter 14. As a Black Woman Speaks and Dances: Embracing Intersectionality in Richards' A Black Woman Speaks (1950) and Shange's (1976)