Produktbild: Cold War Art Worlds

Cold War Art Worlds South Asian Art and Artists in Prague, 1947-1989

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

05.11.2025

Verlag

Leuven University Press

Seitenzahl

278

Maße (L/B/H)

23,4/15,6/1,9 cm

Gewicht

529 g

Sprache

Englisch

ISBN

978-94-6270-470-1

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

05.11.2025

Verlag

Leuven University Press

Seitenzahl

278

Maße (L/B/H)

23,4/15,6/1,9 cm

Gewicht

529 g

Sprache

Englisch

ISBN

978-94-6270-470-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Cold War Art Worlds
  • Erratum: p. 79 figure 21: (c) Bildrecht, Wien 2025

    Notes on Image Titles and Reproductions
    Acknowledgements

    Chapter 1. Introduction
    1.1 Cold War Art Worlds: South Asian Art and Artists in Prague, 1947-1989
    1.2 The Formation of Art Worlds and Artistic Careers through Mobility
    1.3 Cold War Art Worlds
    1.4 Prague: Co-creating Alternative Art Worlds
    1.5 Looking Towards India
    1.6 Activating Art History through the Archives
    1.7 The Mobility of South Asian Artists and Cold War Art Worlds

    Chapter 2. A Pakistani Artist in Prague
    2.1 Visualising Transformation at a Crossroads in History
    2.2 Shakir Ali: Ideological Affiliations of Artist and Traveller
    2.3 Decolonisation and Sites of Production
    2.4 Codes of Affiliation

    Chapter 3. Exhibiting and Collecting South Asian Art in Prague and Lidice
    3.1 Indian Art Exhibitions in Czechoslovakia and an Indian Art Collection in Prague
    3.1.1 Mobility across Waters and Divides
    3.1.2 Exhibiting India as a Collaborative Effort
    3.1.3 Fostering "Indicki-Czech[oslovak] Bhai-Bhai"
    3.1.4 Appreciation from the Margins
    3.1.5 Mobility across a "Curtain of Lace"
    3.1.6 Establishing a Collection of Modern Indian Art in Prague
    3.1.7 Curatorial Efforts to Foster Friendship
    3.1.8 The 1979 Indian Art Exhibition: Modernist Art at Home in Prague
    3.2 A Solidarity Collection in Lidice
    3.3 Exhibiting and Collecting South Asian Art in Socialist Central Europe

    Chapter 4. Individual Journeys to Prague
    4.1 Ram Kumar (1924-2018): Voyaging into Communism
    4.1.1 "Displaced Things": Stranded between Locations
    4.1.2 Two-Person Exhibitions
    4.2 Maqbool Fida Husain's Prague Connection: Mobility and Art Worlds
    4.2.1 The Perception of the Margin
    4.2.2 A Strong Connection with Prague: Intersecting and Co-creating Place
    4.2.3 Capturing Prague as a Significant Place

    Chapter 5. Chittaprosad's Immobile Mobility
    5.1 A Single Room with a Central Function
    5.2 A Single Room as a Stage for a Puppet Theatre
    5.3 Exhibiting in Prague
    5.4 The Anatomy of a Film about the History and Life of an Artist
    5.5 A Symbolic Personal Friendship

    Chapter 6. Conclusion
    6.1 Indian Art Students in Prague
    6.2 Czechoslovak Engagement with India through the Camera Lens
    6.2.1 Filmic Documentation about Cultural Exchange
    6.2.2 Moderní indickí maliari (1967)
    6.3 Final Remarks

    Notes

    Bibliography

    Index